Writing

Six in Six

NIGHT

I am between things right now. The novel is finally going well, although it is somewhat on hold while Brian reads it and tells me what he thinks. We have only had one fight so far about it, which must be some sort of record.

This means that, for the first time in a LONG time, I don’t have anything that I’m supposed to be writing and procrastinating on. Like, the first time in 3+ years. I’m not entirely sure what to do with myself. I had tentative plans to write a bunch of short stories, but so far I’m having a hard time making that resolution stick. This is where the blog comes in…

I’m committing to 6 stories in 6 weeks. I’ve created a separate page for them on the website, so you can ignore or partake as you wish. They’ll be a bit edited, but they won’t have all gone through the rigorous process I usually put things through before calling them Done (with a capital D). They’re probably not all going to be good stuff – the last time I did this about 3 of the 6 stories were things I considered worth the effort of revising.

The publishing schedule is also likely to be erratic. All 6 stories will be posted on the blog by April 1, but I make no other promises regarding regularity. In addition, because I’m putting them on a separate page and not on the Journal of Bloggyness, you may not get them in your inbox. I’ll keep the “News” page updated with what’s up, and I’ll also post on my Facebook page whenever there’s a new one (https://www.facebook.com/Caseyehamilton). I hope you’re interested enough to follow.

And if not, that’s okay too. I’m mostly doing this because if I tell 500+ people on the internet it’s happening, then it HAS to happen. There’s nothing like public shame to give a girl some motivation.

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A Novel Update. Sigh.

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So, how is the novel, you ask?  Sometimes people do ask me, you know.  And I hardly ever answer with the truth, because I would have to say, “Yeah, it’s a mess.”  I’ve broken every resolution I ever made about the thing.

I was supposed to be done with draft 5 before the year turned new again.  I’m 80 pages away, and I can’t seem to make myself charge forward any more.  Why?  I realized that in editing, I edited out all reference in the second part of the novel to one of the main character’s injuries – which was basically the entire premise for the first part of the novel.  It has to be in there.  It has to be.  So I feel like an idiot going blissfully on and still leaving out that important piece.

But re-copying the novel is the best thing I ever decided to do.  Structurally, it’s so much better than it used to be.  And it seems stupid to go back, edit in all the other stuff to add the injury in, and then come to this rough, badly edited piece again.  Would it not be better to just finish re-structuring draft 5 and then edit the injury into draft 6 as a complete draft?  Or would it actually not?  I have no idea.  I’ve never written a novel before.  This is my first one.

This is not the first time I’ve felt like an idiot while writing a novel, FYI.

And the real problem is that the novel is in two parts.  That’s what creates all the angst (and the cheating.  One draft at a time, self).

I was supposed to be reading the manuscript to Brian starting on the first. I realized, though, that I wanted to do another polishing draft.  So instead of working on the end part of draft 5 in December like I was supposed to, I did draft 6 on the first part again.  And then I started reading draft 6 to Brian, who offered excellent suggestions I’m eager to put into practice in draft 7.

BUT I HAVEN’T FINISHED DRAFT 5 YET.

Sigh.  Wrangling myself is like herding cats.   I’ll be buckling down on draft 5 this week, although I don’t really have any hope for myself.  But if you put it on the internet, it HAS to happen.  Right?

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NaNoWriMo: The Week 2 Blues

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The latest pep talk for Nanowrimo is not what I needed right now. And I need a pep talk. I’m feeling the week 2 blues set in. I was so excited to see that they had one up on the website, and I’m sure it helped someone move forward amidst some writers block. The thing about Nano, though, is that I don’t usually get writers block. I get writers block when I am worried that everything I’m writing is crap and won’t fit the tone of the rest of the novel. I get writers block when I don’t know how to write a scene and I desperately need it to work. In short, I only get blocked when there are stakes.

There are no stakes in Nanowrimo. There aren’t. However much you’d like to believe that you’re the next Hemmingway, I will have you know that your current novel is not up to those standards (that’s what editing is for). You should also know that’s a GREAT thing. It means your next line of prose doesn’t have to be genius. You also never have to show your novel to anyone, ever. All the “her troubles melted into the fondue pot of life”s and “their eyes met across the crowded room and stuff”s, all those horrible clichés, and the twelve adjectives you used to describe each thing; all of those are between you and the blank piece of paper. The blank piece of paper isn’t talking. There are no stakes

For me this time, there is only the realization that I hate these people a little bit. I don’t know why I decided to spend a month with them. He’s too nice. And why does he cry when she leaves? She’s going to help her country. He shouldn’t cry, he should be angry that she won’t listen to reason. Only he isn’t angry. He’s this warm, supportive, wishy-washy guy. And then there’s her, and she is such a reluctant revolutionary. She’s supposed to like excitement. The baby is supposed to be more than a glorified purse that she carries around and has to make sure she doesn’t leave at restaurants. The leader of the resistance is supposed to be the one that’s reluctant, but he seems ever gleeful to send everyone to their death.   At least Dad seems to be the asshole he’s supposed to be.

I know. It’s week two and we all feel this way. Every year I’m ready for it and make fun of the week 2 slump. But I’m always surprised by how genuinely I hate my novel. This isn’t “ha, ha. I’m over the thrill of week one.” This is honest loathing. I’ll get over it. I’ll feel proud of myself by the end of week 3. But how to charge forward through week 2?

I don’t know any way to do it except to put my butt in the chair and do some uninspired driveling. So that’s what I’m doing.

But I sure could use a good pep-talk right about now. Perhaps I’ll read Neil Gaiman’s (again) for the 1000th time. Or perhaps I’ll take my inspiration from Shannon Hale, who said that if engineers can land a probe on a comet, surely I can do something so simple as meet my word count goal…

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To Nanowrimo or not to Nanowrimo? That is the question.

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Nanowrimo starts tomorrow (that’s National Novel Writing Month), and I am still deciding whether or not to participate. I know, right? Nothing like waiting until the last minute.

Except that this isn’t really the last minute. I have a novel, I have an outline, I have a cover. It’s great, just like all novels are great before they’re full of the bad prose and plot holes of a zero draft. I am ready for Nano. There is no one more ready than I am.

So why would I not participate?

I’m at a terrible stopping place in draft five of the novel I’m currently editing. A terrible place. Sure, I’m not in the middle of a chapter or anything, but the queen is about to maybe get killed and I’m about to leave her in suspense for a whole month. It seems cruel. I was supposed to be farther along than this. MUCH farther along. I was supposed to be finished with draft 5 by November 1st. The queen was supposed to know who was trying to kill her.  The main character was supposed to make up with her family.  I was supposed to put it in a drawer, and then dabble with changes, and then have a readable manuscript by January 1st.

Brian and I were to have lovely nights in front of our new fireplace, both bending over a copy of the manuscript while I read aloud, occasionally scribbling things in the margins. (Which is a joke if you know us. We’re more likely to get into horrible fights with me accusing him of being mean to my writing, and he not understanding why his gentle criticism was reinterpreted so horribly wrong. And then he threatens not to read my stuff anymore if I can’t behave myself. Sometimes there are tears.  And then I apologize and dupe him into participating in the same cycle again. But maybe slightly better, because I’m trying to behave myself. I really am.).

My eyes were bigger than my fingers, though. I couldn’t complete 20 pages a day and still be a human. It’s my own fault for giving myself more work than I could manage. That doesn’t make it any easier to put the thing in the drawer at this haphazard place.

I must finish this novel. This year.

But, new novel!!! It’s the prequel to the novel I’m currently writing. That means it’s sort of related, right? We could call it research? No? Anyone?

I’ll probably end up participating. Just knowing that there’s a party of writing going on somewhere on the internets is enough that I can’t stay away. No one can resist the traveling shovel of death, or the wombats, or the mass quantities of caffeine and sugar we’re all consuming. It’s an orgy of words and it’s wonderful. It’s a new novel in only a month; something to fall in and out of love with and then toss aside. The newness is what I crave. I haven’t written anything new in months.

And who knows? Maybe I’ll have time for both?

Yeah, I know.

But don’t rain on my parade, okay?

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Oh, Amazon…

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So it turns out that not only is Amazon blocking Hachette (http://online.wsj.com/articles/amazon-hachette-e-book-pricing-battle-continues-1407708761), but they’re trying the same shit with Warner Brothers (http://mashable.com/2014/06/10/hachette-warner-bros-amazon-lego/) and Disney (http://bits.blogs.nytimes.com/2014/08/09/amazon-takes-the-muppets-off-the-shelf/?_php=true&_type=blogs&_php=true&_type=blogs&smid=tw-nytimesbits&_r=2&). Umm, I don’t know how you expect this to end guys, but I predict that it won’t go well. In addition, Amazon has sent out a letter to all their self-published KDP writers asking them to write to the CEO of Hachette and complain (http://bits.blogs.nytimes.com/2014/08/09/orwell-is-amazons-latest-target-in-battle-against-hachette/). Another really bad idea, I would imagine; even if they had gotten their literary references correct. Amazon is now putting people like me (who just want to read a damn book, or sell a damn book) in the middle of this thing. It’s like running to mommy when the big kid tries to take your lunch money, except that Amazon is supposed to be the mommy in this situation. 

I am shaking my head over here. Also, I’m angry.

Frankly, I don’t care how I get my stuff as long as I get it. I liked the fact that Amazon is easy to use and all in one place; I can click a single button and the thing I’ve ordered arrives. However, all my stuff is no longer in the same place or will arrive reliably. Shannon Hale is with Hachette. Amanda Palmer is with Hachette. JK Rowling and Stephen Colbert are with Hachette. I LOVE the Muppets.  I really don’t like getting dicked around because two giant corporations can’t get it together and make an agreement. I don’t think that Hachette is blameless, but I do think they’ve played the PR game better. And really, for me, the whole thing is about access. I don’t care how Amazon and Hachette resolve this thing, I just want to be able to read what I want to read. I also don’t mind paying a little more for that privilege.

So basically, this post is to say that I’m done. Amazon obviously can’t give me the customer experience I need. I love that Kindle app on my phone, but did you know that Kobo also has a reading app? I downloaded it last night and I already love it. Their prices are not that different from Amazon, and I was able to preorder both Shannon Hale’s “A Wonderlandiful World” and Amanda Palmer’s “The Art of Asking” with the click of a single button. It loads faster than the Kindle app, too, and they give me fancy badges for reading stuff! There is also a little green bookmark that goes into your page when you sign out. Next, I’m going to try Powell’s (http://www.powells.com/) or Vroman’s (http://www.vromansbookstore.com/) for all my physical book ordering needs. There is also the fabulous Barnes and Noble, for the large and established factor.  I’m not going without stuff to prove a point I don’t care about, Amazon.  Maybe if you had gotten that George Orwell quote right… (Okay, not even then).

In the mean time, I wish both Amazon and Hachette luck in figuring this whole thing out. Now excuse me while I go enrich Wil Wheaton’s stock in popcorn by buying a huge bowl for myself. I’ve figured out a way to get my books like I want them and I no longer have a stake in the game. Now the travesty can unfold for my amusement.

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Why I joined the Clarion Writeathon:

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Why did I join the Clarion Writeathon? It’s a valid question, I think.  I have never applied for Clarion.  I don’t have any plans to apply for Clarion.  Still, I drool over the prospect of staying in a dorm with a collection of amazing genre writers.  The thought of Neil Gaiman just stopping by the house, or George R. R. Martin leading a writing exercise, or Ursula K. LeGuin critiquing my story is surreal.  I need a giant towel for all the salivating.  This is too good a thing to actually exist in the world. I can’t wrap my head around it.  Except that I can, because it is happening right now in San Diego.

Clarion is wonderful not just because their teachers are my idols (although that is certainly part of it).  There are so little resources out there for those of us who do write genre that it is a small miracle to find people who teach it.  The fact that Clarion teaches it with aplomb is greater than miraculous.  It is unique, and magical.  Much like the writing of the participants.

I haven’t applied because of work constraints.  I like my paycheck.  Six weeks without one just isn’t possible, even if they did cover tuition for me.  I am one of the few for whom Clarion just isn’t possible.  But there are hundreds of people each year who apply, and tens of people whom get this magical gift of six weeks in Writer-land.

Clarion is a gift, and I want to be the giver of that gift.

So, I am posting a short story per week – six stories in six weeks all together – on the Clarion website.  Like my stuff? Go check it out here: http://clarionwriteathon.org/members/profile.php . It’s all new, and very magical (also, hastily edited).  If you like it, consider donating to help someone’s dream come true next year.  All the money raised goes to scholarships for the class of 2015.  As Neil Gaman’s wife, Amanda Palmer, says, “Donating is Loving.”

The gift of writing is the best one ever, especially if you are giving it to someone else.  I promise.

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The Sea

Originally part of a collection of short stories, A Blatantly False History of the World, But Mostly America.

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“Make your way to the sea,” He said. “There, we can hire ships to take us back to our homelands.” He whispered it to us in the darkness, when we had stopped toiling in the streets and in the house, serving the Romans for the day. We returned to our hovels under their vast, gilded courtyards and listened to His breath in our sleep. We dreamed.  In our dreams walked the Gods of our homelands, of the green country of our birth. We listened to His words, seeping into the heart of us, and remembered.

There were houses in the north, dug into the ground for warmth during the harsh winters. Thatch stood up from the earth like tiny hills. Snow covered the ground as the seasons turned, and those living there would press together to share heat. It was companionable, looking out the door as the snow swirled, knowing that it could not take your life as long as you were with these others. We told stories there in the cold; of the magic of the moon and the restlessness of the dead.  And then the Romans came, and there were no others, but only strangers.

Not all of us listened to His voice in the darkness. Not all of us felt His words pierce our ears with longing. Some of us were snatched from our homelands so long ago that the white marble of Rome was the only place we knew. It was tempting to stay, to try for the chance to become free again, given the ultimate gift for loyalty. But that kind of freedom was at the whim of the master. The kind He was whispering to us was something we didn’t have to rely on others to provide. It was something we would gain for ourselves. And so we left with Him. At first, we were just a small band of rebels on the outskirts of the town, living in the green hills peopled with boulders. They left us alone, and like bread dough, we rose. By the time our edges seeped from the hills, we were too big and scattered for them to bother with. This is what He told us.

He told us that the sea would be our life. If we could only get to the southern shore, we could pay the Cossacks to take us to freedom. They were no friend to the Romans, and they would help us. For enough money, they would do as we asked. This is what He told us.

The hills were very green, deep and lush. Small white flowers grew in patches, even up to the heels of the boulders. We hoisted our swords and watched them shine in the sunlight, new on the horizon. It had been ages since we felt the ungiving haft of steel, cold in our palms. We walked toward the sea. We felt the blades of grass brush our toes inside our sandals, scattering dew between our toes. We felt the rough cloth blow across our shoulders as we walked across the land. The sky was vivid blue and it stretched for days and into the future.

The hills changed. They became fields of wheat as we walked, golden to the horizon. Trees broke the line of waving grass in clumps. Sometimes, a cypress pointed to the sun above us as we strode by its shedding trunk. Once, we walked by a farm house. It was abandoned in the red sunlight, but a little dog barked in the distance. Some wanted to catch the dog; to taste the savor of dripping meat. Wheat is not always the best for a marching stomach. He convinced them we didn’t have the time.

We must always press forward toward the ocean. It is salt like our tears. It is salt like the sweat we shed for the comfort of the Roman masters, or for the life of our family in another existence far away. The ocean shall be our savior, and it shall return us to those we love.

The wheat became hills again, like a song that repeats itself. The trees stayed, to shelter the boulders and the little white flowers beneath. A hawk wheeled above our heads, dark checkered wings on the blue sky, blocking the sun as it flew past. It dipped to the green grass and pulled a mouse from the earth, tail twirling as it rose to the sky.

He said we were getting close. We wondered if the hawk could see it, so much farther could it see from its height. We remembered the ocean being vast and terrible. Sometimes it was a deep, swallowing, glassy blue. It was calm and deceptive when it looked like that, biding its time and lulling its prey into a false trust. It was black when it raged, froth shuddering over the timber frame of the ship. This is how it turned, mild to murderer in a swoop of cloud, a weeping of the heavens.

We were not at the end of the song. The ground changed again, and we could hear the rushing of the sea in our dreams from where we slept. It whispered to us in the darkness a faint crash-hush. Vast beaches spread sand before us, tan and glistening in the sunlight. The ocean was aggressive only in the way it beat its fists across the shore as we beat our fists against our masters. Gulls flew above, riding the wind in clumps. The wet breeze clung to our clothes and skin, making even our hair feel sticky with salt. We licked the brine from our lips and felt the spring stirring in our bones, the great rebirth.

Three days, we camped by the ocean. Three days, the wind blew salt into our being. On the third day, a messenger came.  It was not a good omen. A rumor went around the camp. The Romans were not happy they had no one to wait at their table. We were pinned on the coast now, nowhere to escape. The army of Rome, glistening gold helmets, red manes dripping from the gold like entrails; the army of Rome was on the march. No Cossacks would come to our rescue and give us passage across the sea to our homeland. Rome had paid them not to.

He was the first to flee, our fearless leader, the one who whispered no longer. He would go back to the hillsides, to the cave we had lived in before, He said. It would just be temporary until we could try again. We scattered to the winds. But like a blown dandelion, there is a center that is not subject to the will of breath. I am that center.

There are a handful that join me; those with ballast. Sleeping by the sea made me remember many things, and this is the tale I remembered most.

It is terrible to perish at sea not because of death. Those that fall into the foamy waves do not die. The God of The Sea is too greedy for that. Whole ships are swallowed by the blackness, and they sail beneath the waves. Seafarers make weedy sails from kelp, and skim the depths for eternity. The eyes painted on the side of their ship shine like the sun in the darkness. The God of The Sea is waiting until they are enough. When he has an army, he will send them against the God of The Land, and he will be the God of Everything. Until then, they decompose in the deep.

And with that memory, fresh and clean, came another from my childhood. They had married in my mind while I worked in this land, and while I walked across it. It was of my grandmother.

She smelled of mint as she bent over me and kissed me goodnight. “I have had a premonition of you, Geric,” she told me. “It was not good. It was full of water and darkness, and you were far from home. I will tell you a story tonight and some day you will need it. You will forget this moment until you need it, but store it away for the time when winter becomes spring. It is important.”

She told me of the Sea God, and also of how the dead cannot always die. “You can turn them to your will, if you are strong enough. You can turn them to your will for a little while, and for longer if they like your cause and agree to help you.”

This was the way: I needed a bone, even from an animal, but a real bone it must be; something that was part of the living but was now stripped of muscle and sinew, of everything that made it what it was. There was a rune to carve into the shaft of the bone. It must be exact, not a twirl or hatch out of place. If the bone was perfect, and the rune was perfect, the spell could take place. Take land from where the heels of the fallen walked. Mingle it with the living saliva from your body. Say the name of the rune out loud. Shout the name to the stars, and if they bless the bone with their light they have blessed you with control. As long as you wear the bone, you will be safe. As long as you wear the bone, you can command them. They will listen for a time before the sound of eternity echoes again in their ears and they will leave you.

It would be hard to do by the sea. The men I wanted to call did not walk upon the ground, and so I could not mingle my spit with the earth. The rune was a vague memory in my mind. The smell of mint echoed through the ages. I would remember, I whispered to my grandmother in the dark. I will remember like you told me to. There were a dozen or so like me who had not given up, who were still camping by the sea. For my homeland and their homeland, I wanted to try. I could not bear to go back and give up, of another day living in the hills and waiting to rise. I could not bear the thought of crucifixion if the Roman army found me here.

I did as my grandmother told me. Instead of earth, I mixed my saliva with the sea. When the moon was high overhead, I lifted the bone. I screamed the name of the rune to the sky. The other slaves, the few of them who were left, clustered at my feet and they, too, screamed the word to the sky. The ocean crashed between my words, and their words met mine.  I told the stars my anguish and ordered the bone to live. As I screamed, a bolt of light came from the sky. It burned the flesh off my fingers, and made the rune shine. The blood from my open wounds dripped into the sand at my feet.

It was cold the next morning, and a gray fog obscured the horizon. Drops fell on the sand, making divots in the dirt, pattering around me. The others stirred in their sleep.  I went to the ocean and the others followed me. The lips of foam pounded across my knees. I took hands with the others. I held the bone aloft, as I had last night. I held it out to the sea, to the gray sky, to the blue depths.

“I need to get home,” I yelled into the rain. The mist swallowed the sound. I waited. The surf seethed in and out. The rain pelted across my shoulders, growing with intensity.  I was drenched, dripping.

The ocean began to churn, out where the sea met the fog. It turned black, and a whirlpool formed from the chaos, whipping and turning in the deep. I could feel it from the shore, pulling my legs toward it, just as the earth pulled my feet to its own breast.

A flurry of weeds flew from the whirlpool.  A mast emerged. With a sucking sound and a pop that shook the horizon, a black ship rose from the depths. The hull was covered with barnacles and slime. In some places it was black as pitch, glossy and slick. In others it was a furry green. Tendrils of seaweed dripped from the deck. The painted eyes on the side of the bow gleamed white, new as the day the ship was christened. Seaweed trailed from the masts. As we watched, a group of things, brown and upright, tossed a small boat overboard. They rowed for the shore. They came to bring me home. I stood together with the others on the shore, lined up shoulder to shoulder, and felt the waves crash over my sandals.

My hand throbbed with pain where the lightning left it raw. Tears dripped over my face as I watched the small boat row towards the shore. I thought of my grandmother, the smell of mint, the thatched huts of my homeland.

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Voces Novae!

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This is a VERY quick post just to say that today I’m a published writer!  My Senior Thesis – a 44 page research project on Deaf films made between 1913 and 1920 – was just published in Chapman’s online history journal, Voces Novae.  I basically argue that although the films were made to preserve Sign Language, they also inadvertently preserved Deaf Culture.  If you’re into that sort of thing, or just want to ogle my name a little, here’s the link: http://journals.chapman.edu/ojs/index.php/VocesNovae/issue/current.  I’M SUPER EXCITED ABOUT IT!!  (If you couldn’t already tell…)

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Some Thoughts about Amazon

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There has been a lot of talk in the news lately about the Hachette/Amazon/Warner Brothers controversy.  If you’re not up on all of it, this article explains it pretty well: http://recode.net/2014/06/11/codered-amazon-gives-warner-bros-the-hachette-treatment/.  I’ve heard all sorts of different opinions, some claiming that Amazon is a huge conglomerate with a monopoly, some claiming that Hachette, as one of the big five publishers, is a huge conglomerate who gyps writers.  I’d like to add a middle opinion.

The Amazon controversy reminds me of the grocery strike we had in California several years ago.  I don’t think that people need to worry too much about monopolies and access.  I mean, information is always good, I’m glad I know that Amazon is going to be a jerk about carrying those brands so I can start planning now where else I’ll buy them.  But I think Amazon might be doing itself a disservice.  I use Amazon all the time (especially fond of those Kindle daily deals), and it’s really easy to do so.  As of right now, they’re my first choice for buying things.  I sort of expect that to change in the near future, though, if Amazon isn’t carrying the things I want.

The grocery strike was probably ten years ago now.  During the strike, everything that wasn’t a Stater Brothers or a Trader Joe’s was rimmed by an annoying picket line.  The counters were staffed with scabs and the stores were poorly run by people who didn’t care.  I felt massive guilt every time I needed an emergency something and had to cross that picket line.  No matter how nonchalant the people with the signs were, I still felt like I was betraying something fundamental.  My experience inside the stores was also substandard.  Inside was an entire crew of new employees who didn’t understand, were overwhelmed, and couldn’t help me get what I need. So I took my business to Trader Joe’s and I learned that they carry everything from toothbrushes to milk.  It’s years later and I don’t shop much at the regular store anymore – and if I do it’s only because of my addiction to Dove shampoo.  Most of the stores that participated in the strike are out of business.

This is where the Amazon situation applies.  Hachette has some big names under its umbrella.  Warner Brothers has this year’s spring blockbuster with the Lego movie.  It’s not like people are going to just not buy J.K. Rowling’s newest book, not read Steven Colbert, or forgo owning their favorite movie.  It’s not going to happen.  What is going to happen is that people will go elsewhere to buy those things.  Like Indiebound.  Or Barnes and Noble.  Both are great options, and provide excellent service.

I know what you’re going to say. Hachette and Warner Brothers have a big pulpit from which to scream “unfair!” Smaller publishers who don’t have the fame and mouthpiece that the bigger companies do are undoubtedly being forced under Amazon’s thumb.  This is only the beginning of a bigger problem.  I would tell you that this is only true if people just decide that since Amazon doesn’t offer it, they won’t read it.  New avenues of buying books also come with new avenues of discovering books, from small publishers and big.

It feels good to buy books at Indiebound.  Like avoiding the stares from a picket line, like allowing a whole group of booklovers (not corporations) to benefit from my business.  The bonus of that is that these people care about good books and will recommend based on quality not based on who is conforming to the rules they set out arbitrarily.  If people find they’re loving it, Amazon may find that those customers don’t come back.

So what should you do?  Get the books you want wherever you can get them.  Try out booksellers that you haven’t tried before.  Don’t feel too guilty for purchasing that Kindle Daily Deal.  Most importantly: continue to read lots.

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The Novel, and BEA

IMG_20140303_131755I’m more connected to the publishing industry than I ever have been before.  Not that I’m very connected, but I have recently started following some industry blogs.  I feel like I have an inkling of what’s happening, although I don’t participate and I know I’m probably woefully uninformed compared to some.  Still, being more connected has some interesting consequences.

Before I delve into the consequences, you should probably know that the novel isn’t going well right now.  It seems to go in fits and starts.  This is a full-on fit where I can barely get myself motivated to write the three new chapters that draft three really needs.  Almost nothing is left of the Nanowrimo manuscript, and yet it’s still far from good with no end in sight.  I think that part of the problem is this: if it’s only for me, I don’t have to worry about whether it’s good or not.  As soon as I show it to someone, it matters.  Once this draft is finished, I will show it to people.  It will break my heart if I’ve been working for years on something that can only be tossed out.

I’m too close to it to know how it really is.  All I can see is the masses of work it still needs, not whether the words that exist now are any good.  That’s high incentive not to finish editing it.  If I never get to draft five, then I can still harbor dreams of six figure advances and glossy covers.  I can interview myself as I drive home, about the genius symbolism I wove through the novel and what my next project will be.  I can craft my answer to “Where do you get your ideas?” I can plan what I will wear to book panels and signings.

You don’t have to tell me this is an insane pipe dream.  I already know it.  Just as I know exactly which house I’m going to buy in Maine when I win the lottery (says the girl who never buys a ticket).

And that’s where the consequences lie.  Mostly, I’m sad because I wish I could join in.  All the tweets from BEA are making me super jealous.  Especially Shannon Hale’s hilarious reports of things Daniel Handler said.  I would love to hang out with the two of them as peers and not just as a fan (maybe with Libba Bray thrown in for extra sass).  The photos that Little Brown and Penguin are posting of the convention floor also make me cringe.  Is everyone in the world managing to write a novel except me?

I’m beginning to see why writers recommend not even starting if you can help it at all…

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