Posts Tagged With: writing

Break Finished

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Brian and I had a, well, interesting break.  We had one giddy day of fun down in San Juan Capistrano.  We took the train down, roamed the Mission gardens, ate lunch at the best little Italian café in the old train station building, and then wandered the kitschy shops before hopping the train home again.  I trounced Brian at Lost Cities, and then he trounced me at Love Letter.

The rest of vacation we spent putting the house in order.  I did massive dishes, put the all-year decorations up after the Christmas decorations came down (thanks Brian!), and cleaned out my closet.  Brian dug up sprinkler lines, marveled at the stupidity and redundancy of them, and then installed a billion anti-siphon valves (okay, just 4) so all the random cut-off lines we found can be useable lines.  I feel a lot of gardening in my future.  In between, there was much catching up with friends, tons of cookies, and a little bit of D&D.

I am NOT ready to come back to work.  It’s times like these I wish I was independently wealthy.

I am tripping along on my resolutions.  One of my gifts was a Kindle, and I am THRILLED with the way it syncs to Goodreads.  So much easier than trying to put them in one by one as I finish them.  I think getting to 100 books will be easier than ever this year.  I have written 3 of 4 days of the new year, too.  Considering a couple of those days were weekends (when I usually don’t write), so that’s pretty good.

It feels right to be back in the swing of things, though, in some ways.  I’m looking forward to the new year, and all the things it will bring.

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2015 Wrap Up

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I am officially off work as of this afternoon, and very excited about it.  Christmas Eve is at my house.  There will be ginger cookies, powdered sugar snowballs, wassail, a heap of presents, and much merrymaking.  There may even be ukulele carols.  I don’t have to return to work until the 4th, which means that Brian and I get to adventure all over the place.  We have a train trip planned to San Juan Capistrano for the day, and I’m sure we’ll do other things as well.

This also means that I may not update until the new year.  Which then means that I should do the end of year wrap up thing now, right?

Right.  Here goes.

First, I want to say thanks to everyone who is following along with this thing.  The blog has grown in HUGE leaps and bounds this year, and it’s all because of your interest.  Every time I log in and look at my stats, I get warm fuzzies in my cold, cold heart (just kidding about the cold heart).  But seriously, you are full of awesome and you make me smile.  Thank you for reading.

I consider this thing not just a blog about bookishness, but also a blog that charts the efforts of a burgeoning writer (in the hopes that what I’ve learned might help someone else).  In that spirit, I want to look at my writing goals for last year.  I don’t think I ever wrote the official goals down on the blog, but I have them in my personal journal.  Here they are:

  1. Read 100 books (via Goodreads)
  2. Have a novel ready to shop around
  3. Make $1000 from my writing in any capacity
  4. Get 5 stories published, have 1 paid for

Those were all pretty lofty.  I tend to think lofty.  I know I won’t make the goal, necessarily, but I also know that by reaching for it I will accomplish more than I would have normally.  The only problem with these is that they failed to take my writing habits into consideration, making them impossible.  I didn’t even write 5 short stories in 2015, let alone get them published.  Here is the breakdown of the outcomes:

The Goodreads challenge is the only one I hit.  I’m currently in the middle of book 109, with another week of vacation left.  I’ll make 110 easily, and maybe more.

My book isn’t ready for publication, nor even for beta-reading.  The structure of the last half of it is SUCH a mess.  All the parts are there, they’re just in the wrong order and not detailed enough.  Some of the beginning also needs to be re-written.  Brian and I know the world so well that we don’t always get that the description of some things are unclear to newbies.  I do have a pitch letter and the first draft of a synopsis, which is the next part of things, and made immense strides towards getting it finished.  I am very close, and still plugging along.  But I didn’t meet the goal.

I had 1 thing published this year.  If you count the fact that Bewildering Stories also added that story to their Quarterly Review you could argue that it was published twice, although that’s a stretch.  I shopped a lot of stories around, got some really heartening rejection letters, and all-around had a great experience.  But you can’t say I made that goal at all.  No stories were paid for.  What I am proud of is that I have done slightly better this year than last.  The Wages of Sin was up and readable for a total of 15 days.  Plenty of Fish got much more attention than that.

This year, I’m prepared to be a little more realistic.  And I think I have a better idea of what realistic looks like.

So… in 2016 I will:

  1. Read another 100 books
  2. Have a novel ready to shop around
  3. Beat or match my previous record for published short stories (2) and/or be paid for 1 short story
  4. Write at least 20 days of each month

Right now, I’m expecting that I will complete everything but number 4, although I will hit 4 most months – I already do when I’m keeping track of my writing like a good girl.  It’s the making myself keep track that’s the problem.  I’ll report back next December and let you know how it goes!

Now go have a Jolly Holiday and consume more sweets than are good for you.  I’ll see you next year.

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News and Book Reviews: Christmas Romance

I had carefully crafted a thing on Romance Novels for Christmas that I wrote for today, but I got some AMAZING news last night that I want to share first.  Bewildering Stories has included my story in their “best of the quarter” list – the Quarterly Review.  I also received the Order of the Hot Potato.  Meaning that the honor of inclusion was hotly debated by the editors.  I don’t know if that’s a good thing or not, but I’m going with excitement that people are discussing my work.  🙂 Also, not bad for my first really published thing.

This was the nicest Christmas present.  Thanks, Bewildering Stories!

And now on to Christmas Romance:

Romance Ladies

I got it into my head that I wanted to read some Christmas Romance over the last few weeks.  The best part about this silly genre is that there are themed things all over the place. Christmas romance of the good kind is prolific if you’re just wanting a sweet falling in love story.  Isla and the Happily Ever After; Carry On; Landline; Dear Mr. Knightly; I could go on…

But what I wanted was a good ol’ Historical Romance Novel with all the tropes that are a part of that genre.  The hot men, the witty women, the tension, the manor houses, the Christmas decorations.  It turns out that this is a VERY hard thing to find.  There’s a lot of stuff out there, certainly, but I was having a hard time stumbling into the good stuff.  I read about a bazillion things, and I finally found some books that would keep my season steamy.  The list is below, so you don’t have to suffer through bad Christmas romance like I did.

I suppose I should also explain something.  I hate Novellas.  I know – blasphemy.  My former English professor would be aghast.  But the main reason I like romance novels is to live in another world for a while.  And “for a while” doesn’t tend to exist in novellas.  There are exceptions, of course, but they are few and far between.  So I also tried to avoid all short story collections and novella collections, although I didn’t do it completely.

Here is the list of what I read.  If you have any other suggestions, PLEASE send them along.

Buy Immediately:

Christmas Ladies: 3 Full-Length Holiday Regencies (Windham Series) by Grace Burrowes:  This is a collection of 3 Christmas novels that were all collected into one e-book.  They’re all full length (!!!) and very well done with plenty of Christmas goodness in with the romance goodness.  I LOVED the first one, and am in the middle of the second.  Best part is that they’re super-cheap right now.  You can’t beat the bargain, and the 3 novels will keep you occupied until Christmas comes at this point.

Worth it:

An Affair Before Christmas (Desperate Duchesses, Bk 2) by Eloisa James: I always love James’ stuff.  I don’t quite know why, but as soon as you delve into that first chapter you just know you’re in the hands of a master.  That was more evident to me after reading all the bad books before this one – it visibly felt like a relief to read the first paragraph.  The beginning of the book and the end are all the Christmas you could desire, but the rest of it takes place outside the season.  Still a fun romp and an excellent novel.

Mostly worth it:

Christmas Eve at Friday Harbor by Lisa Kleypas: The story moved quickly and the ending felt too unfinished, but otherwise the book was excellent. Modern, so be warned.

A Wallflower Christmas (Wallflowers, Book 5) by Lisa Kleypas: I mean, it features the trope where the guy keeps going even after the girl has said no.  And it does it repeatedly.  But otherwise this book was excellent, with Christmas tree decorating, some Dickens, and a well done story line.

Under the Mistletoe (Signet Eclipse) by Mary Balogh: A collection of 5 novellas.  They’re all good, but I’m not really sure why they decided to put all of these together.  In a lot of cases, the stories are so similar that they sort of blended into one another for me without distinction.  I would read The Best Gift and Playing House, and then forget the other 3.

Not worth it:

A Christmas to Remember by Jenny Hale:  I found myself cringing so often at the writing, and at the main character’s attitude toward things.  Like, your life isn’t complete unless you can have children and that’s your only aim in life?  Give me a break, kid.  Interactions between her and the hero also felt awkward and forced a lot of the time.  I did finish it in short order, so that’s saying something about the story arc itself, I think.  But I would skip this one in favor of something less maddening. Also a modern tale.

All links are affiliate links.  Happy reading!!

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A Cheater Post

Can’t write… NaNoWriMo.  And also, 15 people for Thanksgiving at my house.  It’s the most we’ve ever done, and we’re BUSY.  Word count is 47,000 as of yesterday, and I’m poised to win if I just keep on trucking…

So, instead of the usual thing, please enjoy this gallery of photos from that time Brian and I went to the pumpkin patch.  I’ll be back to regular programming next week, when Nano is over and I’m not totally insane.

You know, a little insane.  Just not totally.

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Finally Fall

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I’m feeling fairly unable to write this week.  Probably because I’ve been keeping up a 3,000+ words a day schedule in order to catch up with Nanowrimo (it’s going okay!).  But maybe also because I’m always of the opinion that you shouldn’t be that political on the internet and this week is all about politics of the angry, screamy kind.

So instead, let’s talk home stuff.

This is the season when I get to be more of a homebody than ever.  Brian and I upgraded our couch to a new one (it was more than time), and the new thing is nail head-studded, linnenish, and has these shiny round furniture feet.  Best of all, it has a chaise so Brian and I can lounge all over each other when we’re watching TV.  It matches the dining set we bought last year pretty well, too.  So, basically we’re looking stylish.  I’m already drooling over curtains.

We re-arranged our bedroom last weekend, too.  It feels bigger and more cozy simultaneously.  This house has so much more room than our last tiny apartment, so I raided everyone’s art stash when we moved in (and by everyone’s, I mean my mother’s), hoarded any frames I could get my grubby fingers on, and got creative with fancy paper, posters, internet print-outs, and cut up calendars.  It still wasn’t enough to fill the bedroom.  I remedied that this weekend.  My favorite is a print of a boat on a lake with a starry sky behind it that says “It was beautiful, but difficult, to sail it.” It’s a Tolstoy quote, from Anna Karenina.  I can’t seem to find the translation I used now, but here is the whole quote from a different version:

“At every step he experienced what a man would experience who, after admiring the smooth, happy motion of a boat on a lake, he finds himself sitting in it himself.  He found that it was not enough to sit quietly without rocking the boat, that he had constantly to consider what to do next, that not for a moment must he forget what course to steer or that there was water under his feet… it was pleasant enough to look at it from the shore, but very hard, though very delightful, to sail it.”

It makes me warm every morning, waking up to it.

I have the ukulele out, and I’m learning new Thanksgiving songs.  I’ve been madly scouring the internet for chords to “Plenty to be Thankful For,” from Holiday Inn, but can’t find anything I don’t have to pay for.  We’re having dinner at my house, and I’m making pickles (among other things – but the pickles are new – from Jack-At-A-Pinch’s recipe).  The Roger’s Red grapevine is just starting to turn a little pinkish around one or two of the leaves.  The oranges in the grove across the street are turning bright again, and this means that the stand down the street will have them for sale again soon.  We had the first fire in the fireplace last weekend.

Now if only I can manage to serve the turkey on time this year, my contentment will be complete… (I should clarify that by “I,” I mean I’ll be helping Brian with the timing.  I have large amounts of freak-out when I try and prepare the dead bird for roasting, or attempt to carve the thing, so he’s the official cook, because he’s awesome).

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Easterbay and Nanowrimo

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I’ve been SO BAD about posting this week. It’s because I’m an idiot and I tried to do NaNoWriMo without a full outline even though I know better.

Nano is easy if you do it exactly right, and impossible if you do it even a bit wrong, I have found.

On day 10 I scrapped the whole thing, wrote an outline, and am now attempting to catch up. That’s 2000+ words per day now to end up with a full 50,000 word draft at the end of it. I’m still keeping the old words in the count for morale, but I’m not sure it’s working… Morale is low today.  Yesterday morale was high, though. Ugh.

So: Can’t talk, must Nano.

In the mean time, here’s an excerpt of the good portion. And a link to my Pinterest mood board for the thing so you can see what I’m working on is here: .

Easterbay:

I was just dragging the gate over the sandy roadway, preparing to click the lock together, when he stepped out of the trees.

I say “he” because he stood upright as a human would, on two cloven feet.  His bottom half was wooly, but his top was human.  He wore a leather bomber jacket and a knit cap with horns peeking through, and he looked for all the world at first like a cheeky fisherman, the sort who loitered down at the docks.  Only the cheeky fishermen down by the docks had either turned soldier or weren’t young.

“Hey!” he said.

I’m afraid I startled, and dropped the padlock into the dust.  I stood.

“Yes?” I said, slowly.

“Yourn the newest witch, right?”

“No,” I said.  “I mean, I live in the house, but I’m not a witch or anything.  I can’t do magic.”

He scoffed at me.  “Anyone can do magic, even you mortal folk.  That isn’t what I’m talking about.  You’ve taken Her place, haven’t you?”

“Gran’s?  Vega Gay?”

“That’s the one,” he said.

“I don’t know.  I guess I have,” I said.

“Then yourn the new witch.” He nodded at me.

“Can I help you?” I said.

“No, but maybe I can help you.  This time it’s free.  Next time it’ll cost ya.”

“I don’t know what you could possibly tell me at this point…”

“They’re meetin’,” he said.  “That’s wha’ I came to tell ya.  On Samhain, they’re meetin’.”

“Who?” I said.

“Who… as if ya didn’t know.  Them.  The Fae-folk.  The little people.  The Winter court.  Haven’t elected a king in years, but they’re going to.  Thought you’d like to know.”

“What’ll it cost me?” I said.

“Huh?”

“Next time.  What will it cost me?”

“A chocolate bar,” he said.  “Maybe two.  Depends on the information I got.”

“Sure,” I said.  “Sure…”

“Nice doing business with ya,” he said.  And then he turned and swaggered off into the forest again.

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Writer’s Block is Not a Myth

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Because it’s Nano time, I’m thinking about the writing process a bit more than usual…

There is a lot of mystery around writing that isn’t necessarily good for those who are trying to learn the craft, I think.  Learning how to write is full of cliché, bad advice, myth, and superstition.  One of my biggest pet-peeves, one I see all the time, is this idea that Writer’s Block doesn’t exist.  Or to quote Terry Pratchet (sigh: I like him so much – why does he have to be so wrong?) “There’s no such thing as writer’s block. That was invented by people in California who couldn’t write.”

I think it’s not just silly, but actually harmful to deny the existence of Writer’s Block.  Although full disclosure: I do live in California.

Why?

Oh good, I’m glad you asked.  Here is the answer: If we pretend that there is no such thing, then we never learn how to overcome it and/or may feel like a failure if we do experience it.  Let’s be honest.  The creative process doesn’t need any extra help in making us personally feel like failures.

Learning how to overcome writer’s block is a fundamental part of being a writer.  There are always going to be times when your story isn’t working and you have no idea what to do next.  The blank page is sometimes the most anxiety-inducing thing you can encounter.  Being a writer is mastering that fear and angst, wrestling with the inability to do something, and to win.

Incidentally, I think this is why seasoned writers claim there isn’t any such thing.  Because they’ve become so adept at tricking themselves out of it that writer’s block doesn’t matter much anymore to their output.

So…  How do you, a fledgling author, win against Writer’s Block?  Like much writing advice, it’s different for everyone.  But here’s a host of things you can try that might do the trick and snap you out of it, and most of these have worked for me.

1)      Lock yourself in a room with nothing but your writing implement of choice (pen and paper? Laptop?) and don’t let yourself out until you’ve been in there a couple of hours.  This is the one that works best for me.  It only takes fifteen-twenty minutes before I get bored out of my mind and start putting things on paper.  Eventually, the stuff I put on paper gets good and starts to feel like regular writing, as opposed to the forced kind.  This DOES NOT work if you bring in anything else with you.  No smartphone, no internet, no games, nothing.

2)      Work on something else.  I don’t know about you, but I always have 12 billion ideas brewing half-formed somewhere.  If I’m stalled on whatever I’m currently writing, I will often find that something else is just flowing prettily along and I can get a lot of writing done on that other thing.  Don’t be afraid to swap back and forth as long as you’re still finishing what you start eventually.

3)      Take a break and live some life.  Ever gone to a museum and suddenly felt like creating a whole slew of things?  How about a hike, or a picnic, a walk, or seeing a show?  Get out and do something that isn’t writing and you might find that your well of words has filled back up again.

4)      Take a close look at your story.  Maybe it isn’t something missing in you, but something missing in your work.  I once couldn’t move forward on a story for months before realizing that the character had behaved in a way totally unauthentic to herself – which is why nothing came next.  A quick re-write solved it and got me going again.  Joss Whedon swears by cutting his favorite scene and seeing where that takes him forward.  I had a professor who was huge on rearranging paragraphs and chapters when stuck.  Keep the original if you’re worried, sure, but fiddling with things is never a bad move.

5)      Ask yourself what WOULDN’T happen next.  Sometimes it’s easier to see where the right path is when you’ve taken some of the other wrong paths off the table.

6)      Skip to a part where you know what happens.  There are no Fiction Writing Rules.  There is nothing anywhere that says you have to write the thing in any kind of order.  Sometimes if you skip to where you do know what happens and keep going from there, the middle you couldn’t write becomes evident.

7)      Lower the expectations you are putting on yourself.  Nothing you write will ever live up to what the story looks like in your head.  That’s okay.  In fact, that’s how it should be.  The best news for you is this: you can write the worst prose in the entire world and it is just between you and that white piece of paper, if you want it to be.  Being bad at something is the first step to being good at something, and that’s all you need to do right now.  Take that first step.

Hopefully this post will help, at least a little bit.  Writer’s block is only catastrophically bad if you let yourself imagine that because of it you can’t produce.  Otherwise, it’s just an unpleasant part of the job of Writer.  What it isn’t is a myth, or something else you should feel failure about for experiencing.

Best of luck on your latest work.  I know I’ll need luck on mine – Nano word count as of this morning is 7522.  For the first time this month, I’m behind.  Time to take some of my own advice!

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NaNoWriMo Advice:

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I wrote last week about my own journey to Nanowrimo.  I wanted to do a second post, though, about some recommendations that I have for sticking it through.  I’m feeling like a veteran at this since it’s my 5th year and all (and I’ve done Camp a couple of times too).  This is my guide to thirty days of writing insanity, specially geared towards first-timers.

  1. Let your family and friends know, and recruit a cheering section. You’re going to be spending a LOT of time alone with your computer.  Make sure everyone knows it’s because you’re an intrepid novelist and not because you hate them or are suddenly feeling anti-social.  Other bonuses include motivating guilt when people ask you how it’s going and you’re inevitably behind, possible dinners and/or candy brought to you by sympathetic pals, and encouragement when you’re feeling deep in the dumps because it’s not working out.  If you don’t have that kind of support system at home, the message boards can be a great stand-in.  So can writer meet-ups.
  2. DO NOT GO IN WITHOUT A PLAN. No, really.  I know there’s this awesome debate about planners vs pantsers and that it’s equally legitimate to be either.  If this is your first rodeo, DO NOT go in without a plan of some kind.  You don’t have to have a detailed outline like a “planner” would, but you should at least know in your head the beginning, some of the middle, and where it will end.  If it’s your first novel-writing experience, I recommend that you steal a plot.  I know that sounds bad at first glance, but it’s totally legit. All you have to do is pick your favorite tale, set it in a different time period, and write away.  A Macbeth/Mean Girls mashup where they murder the alpha-girl, A steampunk Odyssey in a dirigible balloon (one-eyed aliens, anyone?), a Sleeping Beauty on a far-away planet, where she’s incased not in briars but in ice… the options are endless.  Pick a story you know well, and mess with the wheres and whens.  You will thank me in week 2 when the Hatred hits.
  3. Be prepared for the week 2 Hatred. I always think I’m prepared for week 2.  And then I’m always surprised by how authentically and genuinely I loathe the story I’m writing.  You don’t have to like it, you just have to write it.  I recommend the pep talks on the Nanowrimo website at this point, especially Neil Gaiman’s.  Bribery and punishment also work for some.  Although I’ve never used them, I have heard great things about Write Or Die and Written Kitten.  Keep going.  Do not ditch this in favor of another idea.  You will hate it less in a few days, and if you have stolen a plot you probably know how to get to the next thing that happens.  If you have not stolen a plot, you may be feeling at this point like you’ve exhausted all your creativity and/or like your story has gone off the rails.  For this problem, try adding something completely unexpected, something from the prompt message boards on the Nano site, OR just skip to that part that happens super far in the future but that you’re looking forward to writing.  No one said you had to write the book in the right order.
  4. For the love of God, do not re-read your work! It will only end in tears. And in less writing.  There’s plenty of time after Nano to fix whatever isn’t working.  Whatever you do, just keep going and ignore the rest.  Also, this makes draft 2 really fun when you find the horrible things you’ve written and you laugh at yourself.
  5. Make the most of your weekends. Work will get crazy.  Relatives will fly in for Thanksgiving.  You will have that thing that night that you can’t get out of.  It will happen, and the word count mounts up so fast that it will seem impossible for you to ever catch up.  Use your weekends to pad your word count.  Even if you can’t get those extra words in on both days, you will usually have one day to really crank it out.  Make the most of these times and you will keep yourself sane (okay, sane-ish).
  6. It’s possible to write more than you think it is. I did 9,000 words one day.  My shoulders ached and my brain felt pretty fried at the end, but I caught myself up with some word count to spare.  If you had asked me before I did it, I would have said that 3,000 a day was my absolute upward limit.  You are capable of more than you think if you push yourself hard.  Who ever said that winning was easy?
  7. Don’t be too hard on yourself. Give it your all, certainly, but it’s useful to remember a few things along the way.  #1 is that no one will ever see this draft.  It will be bad.  It will be the worst thing you have ever written sometimes.  You are still lapping the people on the couch who have never written a novel, and anyway, all you want is something you can edit.  It’s SUPPOSED to be bad.  If it isn’t bad, you aren’t doing it right.  #2 is that Nano isn’t for everyone.  Not everyone is capable of working like that, and that’s okay.  You are a winner if you wrote more words than you would have otherwise this month, and that’s all that matters.  This is also the reason you should keep going once you start, even if you definitely aren’t going to make it to 50,000.  More words are better words.  Quantity over quality forever! (or at least until draft 2).  #3 is to ignore everyone else’s word count on the message boards.  I’ll tell you right now that those people who have 20,000 words  of a novel on day 2 are either professionals with dozens of books in print, super humans, or lying.  Run your own race against yourself, and just know that the rest of us are mad at those overachievers for blowing the bell-curve too.

So that’s all I’ll say today.  Any other advice I have is probably specific for my writing style anyway.  I leave you to enjoy the Viking hats, the traveling shovel of death, to get acquainted with Mr. Ian Woon, and otherwise revel in the explosion of words that happens every November.  Best of luck!

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On My Love for NaNoWriMo

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This is my annual “I’m doing Nanowrimo” post.  I am, like hundreds of thousands of other people on the internet, going to write a novel in a month.  It’s a giant writing party on the internet and we’re all invited.  You too!  It’s both easier and harder than you think it will be…

I’ll be honest in saying that this might not be the best choice for me.  I currently have 3 Nano drafts that I consider good enough to edit, and so far I’ve only managed to touch one and a half of them.  I’ve been participating since 2011.  I’m about to have a 4th draft of something I probably won’t edit for ages and ages.  It seems a little silly to drop everything else and Nano for a month.  But I’m compelled, you know.  There can’t be a huge writing party on the internet without me.  I get angsty if I don’t join in.

I don’t talk about imposter syndrome much, but there’s a reason that I’m 33 years old and I haven’t pursued writing seriously until about 4 years ago.  I don’t remember where I read it, and I’m sure the thing would strike me differently if I were to read it today, but in a forward in one of my favorite books was an essay.  It mentioned people who grew up in a literary environment, and how they are different from actual writers.  People who grew up in a literary environment, the essay said, probably read a lot as children.  Maybe there were writers in their family (there are several in mine – my grandfather’s bread and butter was covering the Celtics for the Christian Science Monitor), maybe there were lots of books around everywhere.  But in any case, these people dabbled in writing, were bad at it, and didn’t have the stamina to have a writing career.  These were people who liked books, sometimes scribbled things down, and left it at that.  I compiled this essay in my mind together with all the writing advice that basically says “if you can help it at all, do something REAL with your life,” and I left those half-formed scribblings in my notebooks.

4 years ago, I participated in my first Nanowrimo.  A bunch of my friends were doing it, and there’s nothing I like more than a silly challenge that lets me brag about things – especially things like having written a novel.

I signed up, and a flood unleashed.

By the end I knew things.  I had no skills, I had nothing but a small way with words, and yet I had the HABITS of a writer.  By the end of the month, that 1600 words a day was easy to crank out.  I kept going after November.  I signed up to minor in English so that I could get a bit more of a handle on the skill part of things.  I can help it.  I don’t have to write.  I am a product of a literary environment.  All of those things are true.  But it’s also true that Nanowrimo made a writer of me.  I am certain that this novel would never have been written, that the other two novels I’m dying to get my fingers into would never have been conceived, let alone exist as first drafts, had I not joined that crazy no-stakes contest in November 2011.  I am now pursuing a writing career with determination.

The best part?  I get to relive the magic again once a year.  And that’s why, despite the fact that I’m in a terrible place to drop everything for a month, I’m going to Nano my heart out.

Consider joining us?  It’s not for everyone, I admit.  Brian, for instance, is driven insane by the timeline.  He would rather take a week to have a perfect chapter than take a month to have the worst draft ever written.  But if you’ve ever wanted to write a novel, sometimes the kamikaze way is excellent.  It was excellent for me.

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Casey’s Guide to Not Critiquing Like a Jerk

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In its latest iteration of editing, the book is on Critique Circle right now, and I am getting the most infuriating critiques.  For those of you who don’t know, Critique Circle is a members-only online critique group.  You can post things to the Story Queue for 3 credits, and you get 1 credit for every story of someone else’s you critique (more or less).  For those who don’t have a writer’s group, it can be helpful.  I find it’s mixed in the best of cases.  Sometimes I get REALLY GOOD critiques.  Sometimes it’s wishy-washy – not outright bad, but not deep enough to help much.

This time has been the worst yet.  Like, one or two are good.  And then I get this thing where the critiquer wants to tear apart my word choice in nit-picking detail and tell me how all of my phrasing is obviously wrong (bonus points if they re-write the entire paragraph – badly – below).  My favorite was the person who told me they would give me a secret tip that would really punch up my writing – to use other dialogue tags that aren’t “said.”

Now, I don’t mind taking advice.  But absurd advice that is wrong?  Come on now…

It’s still worth the headache, I think.  I’m getting at least one excellent critique per post.  But I thought I also might put together a Casey’s Guide to Not Critiquing Like a Jerk.  Not because I expect anyone to follow it, but because I’d like to vent a little.

Here it is:

  • You are not here to get the author’s thing published. You are here to help the author make the thing the best it can be.  Unless you are an editor of a paying publication, don’t ever use the phrase “Editors are looking for…” or “Editors don’t want…”  Editors are looking for a good story, period.  Are there things that might help that? Maybe. But the best thing about writing is that there are many, many exceptions to every “rule.” If the story is good, someone will pay for it.  You do not need to get hypothetical Editors involved.  It just makes people feel condescended to.
  • You are not here to be a cheerleading section, nor do you need to spend paragraphs bucking someone up or massaging their ego.  Presumably, if a person has given you something to critique they are aware that there are problems with the manuscript and are going to do more drafts of it.  They will be an adult about an honest, friendly critique.  Things like “I’m so sorry, but you will probably need more drafts,” or “Don’t ever stop writing, even though you have a ways to go with this!” are useless (and another point of condescension).  Give your critique and leave the fluff out of it.
  • Word choice, phrasing, and often punctuation are reflective of the author’s personal style. Their style might not be for you, but it is not wrong. Unless you are actively misunderstanding the meaning of something, leave it alone.
  • Know the “no’s.” You don’t have to practice this, but you should probably be aware that high use of adverbs, cliché, dialogue tags other than “said” and passive voice are considered bad form by most MFA programs in Creative Writing. If the piece is working despite this, that’s okay.  But don’t suggest to anyone that they do any of these things to punch up their writing.  Most likely it will not help.  And you will look like an uneducated idiot for suggesting it.
  • Focus more on why you didn’t connect with something than on what the writer can do to improve it.  That’s the most important part.  If you want to suggest stuff, go ahead, but make sure you’re doing the other first. You’re probably wrong about how it should be improved, anyway, since you don’t necessarily know what the writer was attempting to convey.  The where and why is more important than the how.
  • Heap praise on the good stuff. Not because the author needs it after all the crap you’ve told them (although they probably do), but because knowing what’s working can be just as helpful as knowing what isn’t.  It’s so easy when re-writing to just toss everything out the window, or to toss things that are needed in an attempt at making other things work.  As a critiquer, you can prevent this tragedy.  Tell them what you liked.
  • Thank the author for letting you read their work. It takes guts to put stuff out there to be slammed, and you obviously connected with it enough to read it all the way through, even if it wasn’t perfect.  This is the only bit of fluff you’re allowed, so make it count.
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