Writing

Summer Hours and Doll Houses

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Summer hours start at Scripps this week.  I’m still in Afghan-land (about ¼ finished with the third), so the extra hours to crochet will be very nice.  I’ll post pictures of all three once they are all delivered and the packages opened.  Social media and surprises are a dangerous combination, so I refuse to mix them until they are no longer surprises.

I’m not sure what to do after I get out of Afghan-land – I can see the light at the end of the tunnel!  It isn’t the train! – but I think I might have an idea.  I have a Greenleaf Beacon Hill dollhouse sitting partially finished in my mother’s garage.  It might be nice to set it up on the kitchen table and see how much more of it I can get done this summer.  At last glance, however, Hunca Munca and Tom Thumb were having babies in the dining room.  This is a problem, but nothing a little scrubbing won’t fix (okay, a lot of scrubbing).

With the dollhouse, of course, comes bad Victorian romances.  I’m not reading, I’m writing, and loving every minute of not worrying about cliché or even quality.  Dovie and Royal Whitlock live in the house with maids Betsy and Dinah.  There may or may not be a baby on the way eventually.  She was the governess to his super-wealthy family, but he’s the second son so he won’t inherit and it’s plausible for them to marry.  I know, it’s such trash but it’s such fun!  Why is this stuff so easy and the novel so hard?  My guess is expectation…  Probably this is the closest Dovie and Royal will get to having their story in print.  It doesn’t matter if it’s stupid.

I read back through this post and realized that I’m really a sixty year old woman, or twelve.  These are the hobbies I usually refuse to talk about, because if there is anything more ridiculed than a girl playing Savage Worlds games it is a thirty two year old who (ahem) “collects” dolls.

I swear… my home features no chintz, and no quilting, and the embroidery is all shockingly modern in nature. There.  I feel much better now.

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Cliche

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Andy had turned his talent on the football field into a degree in electronic engineering, so he knew better.  He really did.  And yet, it didn’t seem to matter.  The minute a camera man shoved a microphone in his face he could feel it start.  It was like trying to run through water.  His mind slowed, and struggling against it did nothing but tire him.

He stood under the bright lights; cleats laced tight, pads shoving his shoulders up near his chin, his helmet gripped beneath his arm, sweat dripping down his face.  The green field stenciled with pristine white numbers stretched behind him. He wiped his brow with the bottom of his jersey.

“And what, in your opinion, made your win possible this afternoon?” the man in a navy suit asked.  He shoved the black foam microphone underneath Andy’s chin.  Andy’s mind submerged.

“Uh, well, you know.  The guys are all really great players, and we all have each other’s back.  It’s all about cohesion and resiliency, and pushing through despite the odds.”

“The other team really had you up against a wall near the end of the second quarter, how did you rally to come back from that?”

“Uh, um… They’re a good team.  They, uh, really gave us a run for our money, but at the end of the day we just wanted it more.”

Andy lay awake in bed that night, replaying the words over in his head as he stared at the white ceiling.  We Just Wanted It More.  What does that even mean?  He yearned to be the smart kid, the electronic engineer.  Still, it was times like these that he feared, no matter how hard he tried, the words Despite The Odds would come out of his mouth as soon as it had a microphone in front of it, that it was inevitable.  And that this fact meant he was incapable of being anything more than a jock at all.  Resiliency, he told himself, just push through.

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Afghans (the kind you crochet, not the kind who live in the desert)

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I always forget that crocheting goes so incredibly fast.  This is a very fortunate thing.  There has been a rush of babies this year.  Every time I turn around, someone else is expecting.  Not just family, either, but good friends and coworkers.  I like to make afghans for babies, if I can, which means that I am on the afghan train.  My “With Yarn” Pinterest board is getting well used.  I’m working on the afghans in order of due date.

I’m fairly excited about it.  This gives me a chance to make a slough of things.  I don’t have to decide on which one, I only have to decide who gets what.  I’m trying all the options, and all the options are out there.  There are boys, there are girls whose parents don’t like pink, and there are unknown genders until birth.

Amongst all of this, I have realized that my process when making an afghan is much like writing a novel.  I spend far too much time waffling about structure and color.  I stand in the yarn aisle for hours, pulling out colors and seeing how they look together, before finally coming home with a gargantuan bag full of the stuff.  Then I start hooking, absorbed in the way the pieces are coming together in my hands.

Somewhere in the middle, I look at the color scheme and the work that I’ve done and start thinking I’m crazy.  This will never come out the way I think it should.  Who thought that brown and yellow were a good idea, even with all the blue and green between?  Did I pick the correct ratio of white to other colors?  Is it baby enough? But when I finish and look at the whole thing, I usually end up satisfied.  The only way to finish anything is to trust the person I was when I made decisions, and push through.

The first one is more than 1/2 finished.  I’ve been working on it for three days.  Maybe this making 4 afghans within a few months thing will go alright after all.  Also, everyone needs to stop having babies after this so my poor hands can rest.  You’re all on notice until next year.

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Statement of Intent

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I’m working on my grad school application again.  I missed the deadline to be considered for the stipend due to work craziness, but I was a terribly long shot anyway.  It is that damn statement of intent that is the real problem.  I have been through four full drafts from scratch, and I’m not convinced that it is any better at all this time than it was the first.  They are all equally awful.  I know why, too.

If I were to be brutally honest with the selection committee, I’m not sure that I’ll complete this degree.  I think there is a strong chance that I won’t.  My economic situation is such that I have to have a full time job.  Classes that start at 4:30 are classes I can’t take.  Even if I could handle the higher work load of more classes, Chapman’s regular schedule limits me to about two classes a semester.  Whether I can even handle more, though, is a big “if.” It will take me at least three years (and probably more) to get through the program as a part time student.  Brian, who works at Chapman, is pondering a new job within the next few years.  Without tuition remission, I can’t afford a Chapman education.

Even if all of the other things work out, I am turning 32 this year.  If I don’t start having children soon, my expiration date will fly right by.  Kids, full time jobs, and masters degrees don’t mesh.  Pick two.  I already know which two I choose, and it’s the masters degree that gets dumped.  That is not a position that will get me admitted, I’m certain of it.

That’s why this statement of intent has been hard for me.  My intents are nothing, not even to finish.  I only intend to take as many classes as I’m able, and become a better writer.  But how do you express that in three pages worth of words, a paper where most people want to talk about their hopes and dreams?  I find myself unable to lie, and unable to pretend that I have bigger goals that I actually do.  I’m not even sure what I can offer Chapman in return, except for a dedication to do well in class.  This is probably where being a twenty one year old idealist with no bullshit filter comes in handy.  That used to be me, but how the world does change us.

I’m making Brian read draft four tonight in hopes that he will be able to recognize how to save this Statement of Intent where I have failed.  I’m not writing draft five from scratch.  I refuse.   Unless this one isn’t good enough…

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Where Do You Get Your Ideas?

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One of my favorite things in the world is to read what people who write for a career have to say about the writing process.  If anyone can explain it, they can.  My favorite subject is always the question “where do you get your ideas from?”  Anyone who has ever done any writing knows that this question is impossible to answer.  It doesn’t matter how amateur your actual writing is, your ideas always originate from the same place.  Sure, you can cobble something together about articles and prior influences.  But really, it’s like asking someone why they dreamed of popcorn last night.  Maybe it was the movie you watched before bed, but who really knows?

I hadn’t spent much time on Robin McKinley’s website until this week, and she has a great answer to that question.  You can read the whole thing here: http://www.robinmckinley.com/faq/faq.php?q_id=5 but essentially she says that having ideas is like picking up pebbles in the dark and then picking up a puppy.  You know immediately that the thing in your hands is something else, and something rather more than what you’ve picked up previously.  The puppy is a story.  Like I said, I love this explanation.  It almost expresses how I get my ideas.

The problem is that, for me, it is not nearly as simple as this.  It is like fumbling around in the darkness picking up the pebbles of ideas, and then suddenly you grab a pair of furry legs, and a few velvet ears, a wagging tail then the warm, soft body.  Eventually, among all the other pebbles I’ve picked up at the same time, I realize that I can put this all together and it becomes a puppy.  But it doesn’t start out as a full puppy I pull from the dark.  I know I have something different, but it isn’t always clear what parts belong to what until I sit down and try to piece them all together.  And some things are only rather mossy rocks.  And sometimes I’ve pulled the parts for a puppy and the parts for a squirrel, and have to sort that out as well.  And sometimes there are more than two.  I’d say it’s like juggling, but that would be adding another metaphor into this already cobbled mix.

The last part of this whole problem is that I never know how much the puppy will grow.  I don’t really know what I have until I write it down.  Is it a Pug of a short story?  Is it a Newfoundland of a novel? Is it a viable, healthy dog or does it have kennel cough that will never be cured?  Do I have the skills to care for and feed this dog, or do I need to go and take some writing classes and learn what to feed it before attempting to put it on paper and give it a home?

Writing is such a nebulous thing.  That’s probably why people resort to metaphor and cliché to explain it.  There has to be something more concrete out there, though.  I’ll be searching for it until I find it but my guess is that I never will.  In the mean time, I suppose I offer (rather convoluted) metaphor myself.

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Interterm Reading List

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It is officially the end of Interterm this week. The students are back, regular classes are in session. That probably means that I should post my reading list for this school season. Yes, I’m not in class anymore. Still, I’m working at a college and the year seems to divide itself naturally into these sections. The reading list is smaller than the others, I’ll admit, but Interterm is short. That’s my excuse, and I’m sticking to it.

Anyway, here is my official Interterm reading list with reviews:

1. Consider The Lobster – David Foster Wallace: His writing is excellent, but I can’t get over the conviction that he’s embellishing the truth for a better story. I’ve caught him in a few.

2. Elizabeth The First Wife – Lian Dolan: Super smutty like promised, but a bit contrived. I still loved it because the girl and the guy get together in the end. I’m terrible that way.

3. Bridget Jones’s Diary – Helen Fielding: So excellent, with an endearing and neurotic main character you just have to love.

4. Lives Like Loaded Guns – Lyndall Gordon: The life of Emily Dickenson and her family. Heartbreaking, makes me glad I’m not a Victorian woman, and impossible to put down.

5. The Essential Guide to Getting Your Book Published – Arielle Eckstut & David Henry Sterry: Lots of interesting stuff to ponder. Makes me think that a lot of my instincts about just putting my writing out there are right.

6. Power of Three – Diana Wynne Jones: One of her best, I think. You know it’s one thing and then it morphs into another entirely. Clever and fun. I couldn’t put it down.

7. Shadows – Robin McKinley: Written from the 1st person POV of a rather gushy high school girl, but that’s its only flaw. I am otherwise IN LOVE with this book.

8. Nine Coaches Waiting – Mary Stewart: Oh another that I have re-read to death. It’s Raul mostly, I’ll admit, but the setting is beautiful, the suspense heartbreaking, and the end perfect.  So perfect!

9. On Writing Well – William Zinsser: In the absence of teachers, I have books… this confirmed a lot of my already held assumptions and clarified a bunch of questions. Clever read, and helpful.

10. Beauty – Robin McKinley: Loved all but the very end. Happily Ever After doesn’t quite satisfy when the rest is so sophisticated, and when I had such a deep affection for life pre-Happily Ever After.

11. Pegasus – Robin McKinley: It’s ½ a book, and it ends SO traumatically. Otherwise, it’s a beautiful setting and a beautiful concept. I’ll be picking up the next ASAP, please write fast! 🙂

In other news, my book list is stacking up horribly fast, no thanks to Amazon’s Kindle Daily Deals. For the first time in a long time, my to-read list is more than ten books long. I’m in the middle of Inkheart right now, far enough in to know that I love it, but not far enough to have more of an opinion than that. Then there is In Cold Blood, a book about German fighter pilots and how they felt about working for Hitler, seven romance novels (hey, it is February…), Robin McKinley’s Rose Daughter, and Tom Zoellner’s new book about trains. I have a feeling I’ll be adding sequels to that as well. It’s overwhelming. I practically need the smaller commute I’m seeking, just for the extra reading hours. That is also a story I’m sticking with.  We’ll see how it goes when I post Spring’s reading list…

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Fall Reading List

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In the interests of being fair to summer, I’m posting my Fall reading list complete with short review of everything I read.  I know it’s December now and WAY past Fall, but the fall semester just ended here, so I consider myself legit.  Also, books make GREAT Christmas presents and there’s still time to order stuff from Amazon.  Barely.  I should really get on that…

So anyway, here’s everything I’ve read since the semester started in late August:

  1. The Hero and The Crown – Robin McKinley (I’ve read about gals that I want to be, but never that I wanted to watch like I want to watch Aerin.  Fascinating main character, kick ass story.)
  2. Chalice – Robin McKinley (I just want to move into this world and tend bees.  Can I?)
  3. The 4:50 From Paddington – Agatha Christie (Just as I’m certain, CERTAIN, I know who did it, it turns out to be someone I didn’t want to consider.)
  4. The Name of The Wind – Patrick Rothfuss (Although well written, it reads like a D&D campaign.  I prefer to play them, not read about them.  The writing is such that I’ll finish, though.)
  5. Percy Jackson and the Lightening Thief – Rick Riorden (This reminded me a lot of Going Bovine, but Going Bovine was much better written.  Not bad, not the best of its kind.)
  6. The Big Drop: Homecoming – Ryan Gattis (Nods to Chandler and Fante, but is totally its own thing.  The best argument for character driven narrative I’ve ever read.)
  7. Let’s Pretend This Never Happened – Jenny Lawson (Reads just like her blog, which I can’t read in public because I can’t stop laughing in inappropriate ways.)
  8. Midnight In Austenland – Shannon Hale (A re-read.  For the third time.  This is likely to become one of those books I can’t read anymore because I’ve memorized too much of it.)
  9. Kneenock Rise – Natalie Babbit (My favorite in fourth grade. It goes too fast now, but reading it out loud helps, and also made me notice her foreshadowing and savor her word choice.)
  10. Story Book High, Book 1 – Shannon Hale (yes, I know… a book produced by Mattel?  But Shannon Hale.  I was torn.  It wasn’t bad.  At times it was even hilarious, if you like puns. I do.)
  11. Aunt Maria – Diana Wynne Jones (You read, and you think ‘what the hell is happening?’ but all parts fall into place by the end.  This is why I love her. Also, because Aunt Maria is creepy.)
  12. Self Reliance – Ralph Waldo Emerson (This “updated” version is really reduced to a quaint quote book by the new stuff interspersed between Emerson’s essays. Doesn’t do him justice.)
  13. The Wave in the Mind – Ursula K. LeGuin (I loved her essays on growing up in 1930’s California and on reading, and then I read her essays on rhythm in writing and fell in love more.)
  14. Fortunately, The Milk – Neil Gaiman (Wumpires and a time-traveling stegosaurus?  Yes please.)
  15. Let’s Get Visible – David Gaughran (Because I’m thinking of self-publishing.  Still undecided…)
  16. Johnny Tremain – Esther Forbes (In the beginning Johnny is an asshat, and in the end he’s a sap, but between is good.  Plot is very coincidental, though.)
  17. The Things They Carried – Tim O’Brien (So well written, and just full of the fear of war.)
  18. Persuasion – Jane Austen (A re-read, and a book I love.)
  19. Author, Publisher, Entrepreneur – Guy Kawasaki and Shawn Welch (This is the book that made me decide NOT to self-publish.  I’m not that cool.  I don’t have the mad skillzorz it would take to do it well.  I suppose it’s good that I found this out early.)
  20. Helen of Pasadena – Lian Dolan (total smut in the best way, and extra fun because I know some of the main locations.)
  21. The Kings and Queens of Roam – Daniel Wallace (Heartbreaking and fable-like.  It’s beautiful, but I’m not sure I’ll finish it.  I’m not sure I can take it.)
  22. Candyfreak – Steve Almond (I think I might be in love with this man… mostly because he’s even more of a sugar freak than I am, but also because he’s hilarious.  Don’t tell Brian – although he probably suspects.  I’ve been reading him snippets of the book for days.)

I also just bought Consider The Lobster and Elizabeth the First Wife, but I’ll finish those after the requisite deadline for reporting what I’ve read.  Those will be the first on the Winter Interterm reading list.  I’m very excited, especially about Elizabeth the First Wife which promises to be extra smutty.

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Ordeals

It seems so odd that I’ve been writing enough to make 100 posts, but this one is the 100th, so happy milestone to us, and thanks for reading!

I’ve recently decided to apply to grad school for creative writing and in honor of that, and of the 100th post, I’m posting one of the pieces I’m considering turning in for my 25 pages worth of writing sample.  I went from having nothing at all to having a lot of potential things that could go, and I’m having trouble deciding.   I’m trying to show range, and honesty, and good story, and still make the pieces the kind of thing I usually do.  It’s hard.  I’ve picked four, and I’ll let my family help me narrow it down to three.  This is one of the four.  I hope you enjoy!

Williamsburg

Ordeals

            The wound is guaranteed to be extra juicy this time,” said Rutherford’s wife over the breakfast table.  “I just love a water ordeal.”

A flicker of flame from the open hearth silhouetted her hair in a frizzy halo around her white cap in the dim wattle and daub cottage.  Rutherford’s stomach lurched.

“I can’t stand Ordeals.  You know that,” he said.  “The way they poke at the festering wound and deliberate for hours sometimes, looking at it.  I mean, I know God is supposed to be speaking through how much the wound is healing and telling us whether the offender is guilty or not, but I just can’t stomach it.  Wounds are the most disgusting things.”

“I should knock some sense into you with my ladle, Fordy,” Gertrude said.  “It’s blasphemous to not like Ordeals, I tell you.  I mean, how else are we to know if someone is guilty or not?” she rubbed her hands together and smiled.  “I for one can’t wait to see if that Crispus Hode is guilty,” she said.  “I’ve suspected he was no good for a long time.  I heard tell he was born on a Friday, and if that’s true it’s no wonder that he grew up to be a no-account thief, taking Odo Black’s perfectly good hog and eating it for dinner.  You know what they say about Friday babes.  I mean, I suppose you have to raise them as best you can, but there will always be the devil’s streak in ‘em, and no telling when it will manifest.”  She shook her head.  “When they held his hand in that boiling water two weeks ago, you could hear Crispus shriek clear across the village, you remember.  Extra juicy this time,” she smiled

Rutherford felt his stomach churn and he dropped his porridge spoon into his bowl.  He swallowed.  “I know you enjoy these things but I’d rather not talk about it, Gerkins,” he said.  He wiped his mouth with the sleeve of his tunic.

“Well, that’s fine,” she said. “I’ll tell you one thing I can’t wait to see.  They’re picking the new head of the Witan town council at this meeting.  How long have you been on the Witan?  Ten years?  You’re the oldest of the group now, too, aren’t you?  I mean what with old Robin Miller croaking at the harvest festival and all… that was a disgrace, it was.  Face down in the pudding.”

“I’m the oldest,” Rutherford interrupted, “but I wouldn’t keep your hopes up.  No one in his right mind would make me the head of the Witan.  I just don’t have the stomach for it.  If I can’t talk about Ordeals, what makes you think I can govern one?”

“And who said anyone in this village was in his right mind?” Gertrude cackled.  “You sure are funny sometimes, Fordy.  I’ll bet you’ll be nominated for sure.  Eat your bacon, and then we’ll get to the church.  I just love a water ordeal.”

Rutherford sat in the first pew of the church with the rest of the Witan – eleven other men just as grizzled and portly as himself.  The rest of the town packed into the church behind them, leaning forward to get a better look as Burt Cooper, the current head of the Witan, unwrapped the linen bandage from Crispus’s hand.  Crispus winced as the bandage stuck and Burt gave a pull, dislodging it from the dried puss on Crispus’s wrist.  Rutherford felt the bile rise in his throat, and forced himself to focus on the floor.  There was a knot in the pine board near his toe.

The crowd gasped and oh-ed.  Crispus cried out in pain.

Silence fell across the hall, and a sticky, wet sound filled the room.

“Humuhuhnm…” moaned Crispus.  Rutherford gritted his teeth.  If only the sticky sound would stop, he might be able to bear the rest.

Rutherford felt a nudge in his side.  “Open your eyes, man.  What say you to that boil there?  Does the puss make the sign of the cross?”

“It looks more like a dog to me,” another chimed in.

“It is categorically a full moon over the rowan tree,” said another.

“Well, I’m seeing a sickle.”

The group huddled and argued.

“Oh for God’s sake,” said Rutherford, his eyes still closed.  “Just make a decision.”

“Attention all” Burt cried at last, his voice echoing in the rafters.  “I proclaim Crispus Hode not guilty under trial of Ordeal. The burn has categorically healed some.”

The crowd let out a general sigh of disappointment.  Now there would be no fine levied against Crispus.  The fun was over.

Rutherford looked up.  In the colored light of the stained glass windows, Crispus was wrapping the bandage around his hand again, wincing as the linen touched his burn.

Burt continued, “And now, as it is the 23th of March and my duty shall be over in two days’ time, the village’ll choose another head from among the twelve men of the Witan.  Happy New Year to ye all.  I would like to nominate Rutherford Thompson to take my place, but the council will hear all nominations.  What names do ye put forth?”

Sounds of people rustling, moving in their seats, filled the church.  Someone in the back sneezed.  No one spoke.

“Anyone?” said Burt.

A shout arose from the back of the crowd.  “I second the nomination!”

“Second who’s nomination?” a voice shouted back.

“What about Fiscus Walter?” another yelled.

“I third Rutherford!”

“No one’s seconded him yet.”

“Then I second Rutherford.”

“And I third Rutherford!”

It only took a few minutes for the crowd to solidify.  “Rutherford! Rutherford! Rutherford!” they chanted.

Rutherford felt his heart warm in his chest as he listed to the town chant his name.  It was unexpected that they revered his wisdom so much.  His doubts melted in the warmth of his chest.  He could see it now: himself sitting in the grand wooden chair on the church dais, meting out wise advice to the confused villagers; tending to the extra strip of field allotted to the head of the Witan; being the most important person in town, his benevolence renowned.  He rose to face them, looked at their expectant faces, and felt power course through his veins as he raised his arms and the crowd went silent.

“I, I mean… I, well yes,” he said, and listened as his voice bounced off the rafters of the church as if they were important and decisive.  The crowd cheered. Rutherford felt Burt slap him on the shoulder.

“Congratulations,” Burt said with a grin, shaking Rutherford’s hand.

Rutherford grinned back, pumping his fist up and down.  “Thank you.”

It was not until the uncomfortable hour of midnight that Rutherford realized what he had done.  He sat awake in his curtained bed, Gertrude snoring beside him, and stared at the ceiling in panic.  As head of the Witan, he was now in charge of administering Ordeals.  Every festering wound he had ever seen rushed into his mind in the darkness, wet with pus and boils, oozing blood from between the crevices of a scab, streaked white and smelling noxious.  It was his job to hold a hand in boiling water while the offender screamed.  It was his job to poke through the festering wound two weeks later and make a decree.   His stomach churned and the saliva gathered in his mouth.  He would make a fool of himself in front of the entire town.

There was only one thing to do.  If Rutherford prayed hard enough, maybe he could avoid ordeals entirely.  He would keep his head down, pray for no breaches of law, and get out of office as soon as plausibility allowed.  Everything would be OK.   One term as head of the Witan was respectable.  Visions of mutilations rose in his head again, but he forced them out.  Everything would be OK, he repeated to himself.  If he kept calm, he would get through it.  Not every Witan had to administer an ordeal.  It would all end up alright.

It was not alright.

The night was crisp and sharp as Rutherford sucked the air into his lungs.  The needles on the trees that surrounded the village were extra green in the fading light and the lingering quiet of the countryside was broken only by the sound of the crickets chirping somewhere near the woods.  The corners of the thatched, wattle and daub huts showed as sharp as the air against the cold landscape.  As the sky darkened to indigo, even the twinkling stars that poked through the sky seemed more clear than usual.  Rutherford picked up the wooden bucket from beside his front door and went outside to milk his cow.

The quiet evening was interrupted by the din of clanging pots, cowbells, tools. Metal on metal rang through the night.  Voices followed, shouting “Beware! Thief!”  Rutherford dropped his bucket and put his forehead into his hands.  The Hue and Cry meant there would be a trial for sure.  Why? he asked the heavens.

The heavens did not answer.

Rutherford picked up his bucket again, and went back into the house.  There was no sense in milking Bessie now.  On his way, he ran into Sampson Hode and Fiscus Walter.  Sampson carried a rope and Fiscus had a large rock clutched in his hand.

“You going to apprehend the thief with us?” Sampson asked Rutherford.  It was the job of the entire town to catch the offender, and as head of the Witan, Rutherford’s absence would be obvious.

“I’ll be there,” Rutherford said.  “I’m just going to put this bucket in the house.  Do we know what happened yet, or what was stolen?”

“Nope.  We just heard the yelling and came out to see what was what.  I think it came from Leo Gregory’s barn, but I’m not sure,” said Fiscus.  “We’ll see you.”

Rutherford grabbed the requisite pitchfork from beside the door, dragging it behind him as he set off across the fields to the wood next to Leo Gregory’s barn.  The whole town was combing through the trees, calling, searching.  Two hours later, his feet tired and his brain sleepy, Rutherford called off the search, stood his unused pitchfork next to the barn, and climbed into bed.

Two nights later, Rutherford found himself sitting in a hard wooden chair at the front of the church.

“I do hereby accuse Mr. Leo Gregory of raising the Hue and Cry without proper cause,” said Hubert Ward.  His beard dripped down his chin practically to his navel, and Hubert’s arm got caught in the long coarse hair as he jabbed his finger in Leo’s direction.

Rutherford sighed.  How ironic that he was forced to mete out justice for a crime that wasn’t actually committed.  “Mr. Gregory,” he said,” did anyone else see the crime take place?”

Leo shook his head.  “No!  I was in the barn and I noticed that my good Scythe had gone missing.  I looked outside and saw someone running into the woods by my house, so I sent up the Hue and Cry.  I saw it, I say! I was robbed!”

“And you were alone?” asked Rutherford.

“My wife can attest to my good character,” said Leo.

“His wife’s word is as good as his own!” shouted Hubert.  “Worthless!”

“I’ll show you worthless Hubert Ward!” a woman shrieked from the pews.  Rutherford could see her rolling up her sleeves and attempting to dive from her seat.  The crowd converged on her, pushing her back down.  The room erupted into a cacophony of voices.  Rutherford stamped his foot on the wooden floor of the church.  It was no use.

“Ordeal! Ordeal! Ordeal!” the crowd chanted.

Rutherford watched Hubert place his fingers into his mouth.  A shrill whistle bit through the air and the crowd went silent.  “That’s better, ya harpies!” Hubert said, and then gestured to Rutherford.

Rutherford stood.  Every face in the crowd was eyeing him with expectation.  He cleared his throat.  “I… uh, suppose we will have to have an Ordeal.”

The crowd cheered.

Rutherford held up his hands, and the villagers went silent.  Rutherford sifted through his mind to come up with an Ordeal he could carry out without throwing up in front of the entire town. Unfortunately, all he could think of was his breakfast.  He was doomed.  “I hereby decree that Mr. Leo Gregory’s guilt will be decided upon an Ordeal of… ah… of… baking.”

“What!” Hubert shouted.

The crowd was muttering again too.

“I was hoping for Water.”

“What in heaven’s name is an Ordeal of baking?”

“Is he crazy?”

Rutherford stamped his foot on the floor again, and this time people paid attention.  “This has been divinely inspired,” Rutherford told them.  “You should not question the mysterious ways of the Lord.  This is how the process is to be carried out.  I will make a loaf of bread, but before it shall be baked, Mr. Gregory will spit into the dough.   If the dough rises and the bread is edible, he shall be considered not guilty.  If the dough should fall and the bread be corrupted, he will admit to his guilt and pay penance to the villagers for falsely raising the Hue and Cry.  So it shall be.”

The crowd paused.  Finally, the words “so it shall be,” echoed back to him in a monotone.  Rutherford’s baking ordeal had been accepted, and he grinned.  Everything would be just peachy now.

Everything was not just peachy.

Rutherford called the bread making meeting for the next morning.  All twelve members of the Witan, plus Herbert and Leo, crowded into the tiny, wooden mill just as the sun was rising over the bright green hills in the east.  The inside of the mill was streaked with yellow from sunbeams peeking through the slats of the poorly insulated walls.  One of the sunbeams fell across Rutherford’s eye, diagonally down to his opposite cheek.  He shifted, and the beam slid to his shoulder.

He cleared his throat. “We have gathered today to ask the Lord to reveal if this man before him, Leo Gregory, be guilty or innocent in his heart of hearts.  Let the countenance of the Lord shine down upon us this day and guide us in our endeavors that we may know the truth.  Amen.”

“Amen,” murmured the rest of the room.

Rutherford took a clay bowl out of the vast pocket of his belted tunic, feeling the prickly hairs on his neck stand up as he realized that everyone was watching him.  He walked to the corner of the room where burlap sacks of flour leaned against the wall, and unfolded the mouth of one of the bags.  He reached his fist into the flour and pulled out a handful.  Streams of grit fell from between his fingers, catching the light and sparkling in the morning sun as Rutherford dumped the handful into the bowl with a whuff.  He took a pinch of yeast out of a pouch in his pocket and dumped that into the bowl as well, and sifted them together.

“Someone grab me a dipper of that bucket of water over there,” Rutherford said.  The ladle full of water was passed through the crowd.  Rutherford took it carefully from the last pair of shaking hands.  He held it out to Leo.

“Spit,” he said.

“You’ll all see I’m not guilty and I’ve been robbed fair and square,” Leo said.  He gathered the moisture up in his throat with a sickening suction noise and then spat a fat loogy into the water.  Rutherford saw it floating on the surface, greenish and horrible as it bobbed in the water.  He felt the burn of bile as it rose in his throat, willed it to stop with all of his might, and then threw up his breakfast all over the flour, all over his hand, all into the water.

The crowd was silent.  They all stared unblinkingly at Rutherford and Rutherford stared back at them.  The vomit on his hand felt warm.

From the back of the room a tiny voice said, “Does this mean he’s guilty?”

“It means he’s innocent,” said another.  “We don’t need to have the Ordeal ‘cause the Ordeal ain’t gonna tell us nothin’.”

“I think it’s a clear sign that this Ordeal is stupid!” said a third.  “Water Ordeals are the way to go.  Nobody ever heard of a Baking Ordeal, and God don’t like it.”

“I say he’s innocent.”

“Guilty!”

Rutherford stood by and watched as the room began to shout at each other.  Most of them were old, grizzled men.  Their gray hair flew through the air and the loose sleeves of their tunics jumped on their arms as they gesticulated wildly at each other.  He pounded his foot on the floor for attention but it made no difference.

“Hey!” he yelled next, but his voice just mingled with the shouts of the room.

Rutherford dropped the sick filled bowl and dipper to the floor and wiped his hand off on his tunic.  He walked over to the water bucket by the front door, picked it up, and walked back.  With a swift thrusting motion, he threw it across the struggling crowd.  The water surged over them like a sheet.  They stopped abruptly mid shout, hair and clothes dripping, and turned their faces toward him.

Rutherford cleared his throat, embarrassed. “I’ll tell you what it means,” he said.  “It means that God wants Leo to have a second chance.  Leo, I hereby find you guilty of raising the Hue and Cry without cause, and order you to pay a fine to the church coffers of ten shillings.  The sentence, however, shall be suspended.  So long as you don’t commit said crime again, you will not have to pay the fine.”

“I’m not guilty,” Leo said.  “I take offense to that remark, but I suppose it’s OK if I don’t have to pay nothing.  It won’t happen again ‘cause it didn’t happen this time.”

“And it will go on the record books as guilty?” Hubert asked.

“It will go on the record books as guilty,” said Rutherford.

“Then I’m satisfied as well.”

The rest of the men in the room began to nod in assent.  One by one, they smiled.  Burt slapped Rutherford hard on the back.  “Good work, Witan,” he said.  Rutherford found that he could not smile back.

The group was meandering out of the tiny mill and onto the grass beyond.  Rutherford watched them trickle through the rough wooden doorway.

Hubert was the last to step out of the mill into the sunny morning.  Before he disappeared through the door he turned.  “Are you coming?” he asked Rutherford.

“I’m coming, I’ll be there in a minute,” Rutherford said. Hubert stepped outside and Rutherford fell onto his knees.  He thanked God for the amicable outcome and then he prayed that he would never have to assign an Ordeal again.  Then, he took a dipperful of water and rinsed out his mouth.  He felt relieved.  After all, the hard part was over now.

The hard part was not over.

Two weeks later, Rutherford found himself sitting in a hard wooden chair at the front of the church.  The rest of the town stared back at him from the pews.

“I do hereby accuse Mr. Hubert Ward of stealing my good scythe from out of my barn two weeks ago.” Leo Gregory said to the crowd.  He glowered at the bearded man on the platform with him.

The half of Hubert’s face not covered by beard was bright red.

“And what evidence have ye to present to the court that this crime took place?” Rutherford asked.

Leo walked to the platform and handed Rutherford a scythe.  The blade shined in the light from the stained glass window as Rutherford took the smooth, wooden handle.

“This is the scythe in question.” Leo said.  “It used to have my name on it, but it don’t no more.  See the bottom of the haft where it’s rougher than the rest?  It’s also shorter.  Someone sliced my name off.  I found this implement standing up outside Hubert’s barn yesterday.” Leo turned to Hubert and waved a fist at him.  “Caught in the ACT!” he said.

The crowd hissed.  “Caught in the ACT!” a few shouted.

Rutherford pounded his foot on the ground.  “He ain’t guilty yet,” he told the crowd.  He turned to Hubert.  “And what have you to say for yourself?  Do you have an alibi?”

“I don’t need no alibi,” said Hubert.  “That was the night Leo put up the Hue and Cry for no reason whatever.  The whole town saw me out there looking for the criminal myself.”  He turned to the crowd, his arms wide.  “Did you all see me holding a scythe that night?”

The audience turned to each other and began to murmur.

“Nope,”

“I don’t think so?”

“No scythe when I saw him.”

“I rest my case.” Hubert told Rutherford.

“He was kinda late on the uptake, though,” someone muttered from the crowd.

“Don’t you rest your case yet, ya burglar,” said Leo.  “I want to bring up an incident that many here may well remember.  Old John Ward, Hubert’s grandfather, was once caught with a herd of twelve sheep that didn’t belong to him, and he was regularly borrowing things and not returning them.  How many of you loaned him a hammer or even a plow blade and never saw it again?  Stealing things obviously runs in the Ward blood.  I demand for justice to be meted out!  That ought to be evidence enough for anyone.”

The villagers began to murmur again, and out of the myriad of voices a single chant began to emerge.

“Ordeal! Ordeal! Ordeal!”

Rutherford sighed, and then held up his hands.  The room went quiet.

“I suppose we will have to have an ordeal,” Rutherford said.  “It will be an ordeal of…” would they accept baking again?  What else was nonviolent?  He racked his brain.  “An ordeal of…  Um…”

“An Ordeal of Vomitus!” Hubert interjected.

“An Ordeal of Vomitus.” Rutherford declared.  “I mean… wait, what?”

“I make you spew across the church and I’m not guilty.  An Ordeal of Vomitus.” Hubert said.

“There’s precedent,” Burt shouted from the first pew.

“That’s right!” the crowd began to murmur

“Leo made him throw up last time and he wasn’t guilty.”

“An Ordeal of Vomitus,” the crowd approved, nodding in their pews.

“Wait, wait now,” said Rutherford.  “An ordeal of Vomitus isn’t dignified.  I mean… I mean…  Really!”

Hubert smiled a toothy grin at him.  He started the chant, but the villagers joined in quick succession.  “Vomitus! Vomitus! Vomitus!”

Rutherford looked around at the villagers.  There were no sympathetic faces in the crowd.  Even Gertrude was perched in a pew near the back of the church, her arm in the air, yelling with the rest.

“I hereby proclaim an Ordeal of baking!”  Rutherford yelled at the crowd.

“Vomitus! Vomitus! Vomitus!”

“An Ordeal of water?!”

“Vomitus! Vomitus! Vomitus!”

Rutherford threw his hands in the air.  “Fine, just fine.  An ordeal of Vomitus.”

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Ruby of Ra

Nanowrimo

As usual, I’m doing Nanowrimo again this year.  When am I not doing Nanowrimo is the real question.  I also try and participate in Camp every year, and I think my family is starting to think that Nano never ends.  November is the best one, though.  It’s the one where thousands of people are all online.  It’s the one where you can feel like you are struggling to craft a terrible 50,000 words beside hundreds of thousands of people who are also crafting terrible 50,000 word drafts.  There are thrilling pep talks just when you’re feeling down.  There are message boards full of people who are willing to commiserate both with victory and with failure.  There are stickers.

I’ve put my current novel on hold to write something new.  I’m probably insane, but I was at a good stopping point.  Putting that novel aside for a month will give me excellent perspective on it, right?  No?  Well, I’m telling myself that it will anyway.  I’ll go back to it in December and give this one a break, and then I can take turns editing.

I read more than one book at once, I can edit two at once, right?  Still no?

Anyway, I’m doing very well so far.  I’m a whole day ahead, have had a couple of 3000 word days during the week (!!!  <-this is a miracle), and am ready to blow the bell curve this weekend.  I’m also realizing that the more you write, the easier it becomes to write.  You know, if you can make yourself sit down at the computer in the first place and resist the siren’s call of the internet.

This novel is set in 1952, so I’ve downloaded a playlist on Spotify that features all the top 40 hits from 1950-1952.  Some days I’m not sure how anyone back then could listen to the radio for long, the songs are so saccharine.  Other days, I find myself wanting to jitterbug to “Rag Mop.” Today I got fed up with the fifties and decided to revert to the 1920s.  I discovered Vince Giordano and the Nighthawks on NPR last night. I’ve been swinging in a clarinet-trill world all afternoon.  Yes, I know they aren’t technically from the 1920s, but they play music from that era and that is enough for me.

Okay, enough stalling.  If you’ll excuse me, I have to get Ruby to the Grand Canyon so she can find out shocking secrets about her mother…

Categories: Writing | Tags: , , , , , , | 2 Comments

The Mechanicals

Neil had just dumped the garbage into the dumpster behind Budgen’s Grocery when he noticed the sign, flapping white in the darkness.  It was out of place, and it almost seemed to glow as its corners fluttered.  The acrid stench of rotting garbage rose as he flipped the black plastic sack into the pile of other sacks.  He brushed his hands off on his pants and raked his fingers through his wild hair.

It had not been a good day.  Neil spent most of it trying to clean up a pile of peaches that someone had knocked from their bin and then trod over, making the linoleum floor juicy and sticky.  He wiped up juice with a dingy rag that had once been white and meditated on sticky.  His whole life was sticky.  He thought when his mother passed that he might be able to leave Cromer.  The final, thin rejection letter from University of West London this afternoon confirmed that he wouldn’t. Eight colleges and no one wanted him.

The white sign stood out brightly.  It was taped to the roof and it was made of butcher paper. Someone had written on it in black ink: Cornelius Cumberpatch, This Is Your Destiny.  A bolt of icy anger shot through his body, and years of taunting echoed through his head: “The Patch,” “Cornypatch,” “Horny Corny.”  He clenched his fists, digging his fingernails into his palms.  The asshole that thought this was funny would pay.

Neil charged into the brick grocery and up the stairs.  He climbed out the window of the break room and pulled himself onto the sloped tiles of the roof.   A moist ocean breeze blew the strings of his green apron behind him.  The sign flapped up over the edge of the ridge, curling.  Neil crawled over to it and ripped it towards him.  Triangles of white paper still clung to the tape on the shingled roof.

He laid the sign out on the gravely tiles.  It now read: Penny For Your Thoughts?  Place Penny Here, Place Hand Here.  There were arrows, and two circles.  One was the size of a penny, and the other was just big enough for Neil’s hand.  Neil blinked.  He could have sworn the sign had his name on it only a moment ago.

The break room window was still open, blinds tapping against the frame.  He expected to see his coworkers clustered, laughing at the look on his face as he took in their elaborate practical joke.  There was no one there.  There wasn’t even a plausible place for a hidden camera.

His eyes narrowed, and he looked at the paper again.  The letters shimmered.  Neil thought, why not play along?  He reached into the pocket of his blue jeans and pulled out a small, copper penny.  He looked at the letters again, considering.  He placed the penny in the small circle.  Nothing seemed to change.  He shrugged to himself, raked his hands through his hair, and placed his hand in the large circle.  The letters glimmered a coppery orange.

Around him, the world shifted to swirling gray fog, moving across his bare arms and drenching his clothes.  He was cold, and he could see nothing in front of him but the swirling mist and the droplets collecting on his body as he stood on – something.

The gray began to clear, and Neil realized that what he stood on was silver.  He was in the middle of a vast city of gleaming, copper towers.  Domed spires reached through the gray.  He was on top of a silver fire escape, looking down into a lustrous alley.  A copper cat with riveted joints cleaned its paws with its shiny tongue below him.  It ticked.

Neil looked around.  The paper had disappeared.

There was a silver ladder to his left.  Neil climbed down the slick, cold rungs.  As soon as he took a step onto the street the cat jumped.  It ran off down the alley, its paws pinging on the metal surface.  Neil followed it.

The cramped alley spilled onto a broad avenue.  Hundreds of copper people strode along the street.  Their joints were also riveted, with shiny silver balls in their shoulders and knees.  They wore elaborate dresses, or suits with top hats, all made of metal mesh.  It was like the pictures of Victorian Cromer had come to life and then warped to become all wrong.  The sound of a thousand watches ticking filled the air.

The middle of the street was crowded with moving vehicles.  They were all a combination of gears, rivets, wood, and pipes spewing gray mist into the sky.  They rushed back and forth.  Some sprouted wire wings that unfolded like accordions and rose up between the spires.  Neil felt something hard rub against his leg.  It was the cat.

“Toto, I don’t think we’re in Kansas anymore,” he told it. It opened its mouth and let out a mechanical whirr.

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