Monthly Archives: September 2014

Accepted

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These are thank you flowers.

I have posted it most places by now: a short story of mine, titled “The Wages of Sin,” will appear next month in the Dapper Press Lounge.  These guys are just starting out, and the lounge is a secret game where you have to find the entrance, request the password, and then solemnly promise never to reveal it.  There are mustaches galore.  Everything about it makes me grin, and not just the fact that they’ve taken my story.  It feels like I get to make art and play in the clubhouse, both.

They asked me for links to my website, my Twitter, and my Facebook author page.  The other two are robust enough, and well established.  But Facebook author page?  I had not built myself one because it seemed like an impertinence; and now I needed one.  In the space of 24 hours, friends and family answered the call to give me 93 “likes.” I know it’s just the click of the button, but it means so much more to the small gal on the other side of that page (that’s me).  It means that you all care more than imagined possible.  You make me look legit.  Have I told you how much I love you yet?

I shall post links when I have definitive dates and things are up and peruseable.  Then you can play in the clubhouse, too.  I’m proud of this story (although it’s PG-13, family.  You’ve been warned).

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Book Review: The Princess Bride

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I hate to admit it, but I had never read The Princess Bride. I am a terrible nerd, and should be forced to hand over my membership card. No one who GMs Savage Worlds games should admit to such an atrocity, I’m sure. I have seen the movie. Many times. And I can quote large swaths of it. Isn’t that enough?

Yeah, don’t worry, I know it’s not.

I had several friends in middle school that loved the novel and thought Florin was an actual place. They would argue with me, and claim that they couldn’t wait to get their hands on the unabridged version if they could ever find one. That is the joke, though. There is no unabridged version, and there is no Florin, no Guilder. S. Morgenstern is a made up fellow, much like Daniel Handler is Lemony Snicket. I don’t wonder that our pre-teen selves were bamboozled. Especially in a time before internet was prolific. When things got heated, when they insisted that there were swathes on culture that had been taken out of the book and that obviously made those countries legit, I would stop arguing and start nodding and smiling. Whatever you want, friends, as long as I don’t have to believe it too.

I don’t know why I never picked up the book myself in those years. Maybe it was because I was too obsessed with Tolkien. His fantasies felt like histories. I dove into Middle Earth and didn’t emerge for years.

But I picked it up a few weeks ago, and this is how:

I have been trying to get myself to write more consistently. As part of that, for every 30 days I write (not necessarily in a row), I buy myself a present of a fancy book or two. I have been letting John Greene traumatize me for the past month, and enjoying every minute of it. So I thought I was going into the bookstore for hard back copies of The Fault In Our Stars, Looking For Alaska, An Abundance of Katherines, or maybe even Paper Towns (which I haven’t read yet). They were there on the shelf, and they were so pretty. But there were too many of them. I couldn’t have all four, and how would I ever decide?

The Fantasy section is right behind the Young Adult section in my bookstore. I turned, and there it was in all its blue-bound glory tucked among the Tolkien books and the George RR Martin books. The illustrated Princess Bride, hard covered, beautiful, abridged. The pages are glossy, the illustrations are gorgeous. I had never read the book, but I knew I would like it. And that my husband would like it. And that it would be something to treasure for a long time, because they don’t make editions this pretty every day. It came home with me.

It reads like the movie, only much better. The snarky comments of Goldman, the abridger, are hilarious (he’s never read the novel – he’s only had it read to him. He cut out the parts his father used to skip). The story is broader and more real than the movie, which feels like a silly but intelligent fable. The characters are real and flawed, but worth loving and the back story Goldman has sketched out for them makes them all the more lovable: Buttercup’s love of dirt and slight stupidity; Inigo Montoya’s swordsmith friend; the Zoo of Death. The jokes are just as good as the movie, too.

I can’t say I’m sorry I read the book as an adult and not as a teen. I don’t think I would have understood the footnotes, the jokes about Goldman’s inability to publish Buttercup’s Baby due to estate problems with Morgenstern, or the way he talks about the country of Florin. It would have all gone over my head. What I would have been left with is the sweet, impossible fairy tale that appears in the movie. But I would have missed the sense that I was in on this gigantic inside joke. I am glad I bought it, glad I read it, and I think everyone else should too. No, really. Everyone. Especially if you are an adult and like fantasy novels.

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Of Pilgrims, Fear Brewster, and Origins

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One of the many amazing things about my current place of employment is their commitment to diversity. I attended a Trans/Ally workshop two weeks ago that was a series of several the college put on for all of us to attend over the summer break. During one of the many activities, the class out a (confidential) form that asked how we identified culturally. I didn’t know what to put. I know that our origin stories are important, but I have often felt that I don’t have a culture. I’m a white American, which means default, which means nothing. How should I fill out that box? And then I had a slow realization about my cultural identity.

I was eight years old when I decided I wanted to be a pilgrim when I grew up. And I don’t mean an adventurer who immigrates via plane or ship for a new life. I mean the people who traveled the intrepid sea, late from too many leakage problems, persecuted for their religious beliefs in England, who settled Cape Cod in the 1620s.

Plimoth Plantation, the first living history museum, is magical. It sits on a hill; the gray houses dug into the earth, surrounded by a tree trunk palisade that is surrounded by waving fields of corn. The main road slopes downward from a fort on the tip of the hill, and at the bottom is a view of blue ocean that seems to stretch forever. Here, you can leave your car in the parking lot and go listen to Miles Standish complain about how boring he finds church or ask him for a lesson on how to load a musket. You can watch Susannah White hold onto her straying toddler by the straps sewn onto the shoulders of the child’s clothes. Edward Winslow will let you tie knots for the fishing net he’s making from a ball of strong twine.

Growing up, I visited them in Massachusetts on the blue and gray shore for as long as I can remember. Maybe not exactly every summer, but near enough. My Aunt Sue used to get the pass from the local library when we were coming to town. She knew how I felt about the place.

When I asked the man in the green tabbed vest if they had any kids on board the Mayflower, he told me that they had plenty of sheep and a couple of cows, but he didn’t recon there were any goats on board. In the village, a woman told me that her pregnant neighbor was obviously having a boy, because she always stepped out of the house with her left foot. Another said that women usually wore six to eight skirts. When I went home I pulled the four my mother had packed for me out of my suitcase and put them on to see what it would feel like. It was heavy around my waist, and I had trouble getting the fourth skirt to zip.

I was thirteen when the woman behind the counter told me to hang on a second. She would get me a teacher’s packet from the back, because the more I knew about the pilgrims the more likely they were to let me work there someday. I studied the folded pieces of paper, tucked into a number ten envelope, and learned about baby Oceanus who was born on the Mayflower mid-trip.   I learned that they had come from Scrooby, England, by way of Holland where they had worked in the cloth factories. I learned that they called themselves Saints, and that in the first winter more than half the Saints died from a wasting sickness in the ice and snow.

I was eighteen when I decided it was time to apply for a job. It would be an adventure, to live out a fantasy and play pilgrim on that historic shore. My aunt and uncle were nearby if I got into any real trouble. But were there women I could portray? There were stories of children, and stories of adult women, but I had never heard stories about teens. I turned to the computer. It was my first foray into historic archives and I fell in love, with the hand-drawn maps of lot divisions and the signatures on the Mayflower Compact, and with a nineteen year old girl named Fear Brewster.

It was the name that struck me. In a time when Oceanus and Remember Patience were popular and valid, perhaps Fear is not so out of place. But a woman named Fear? Was she born in fear, was she a girl who was afraid, did the name make her fearless? She was a Brewster, one of the few Mayflower families that people who aren’t career historians remember. She married Isaac Allerton, a man more than twenty years her senior, who was embezzling goods that were supposed to pay the colony’s huge English debts. She died before the age of thirty of a wasting fever. She had a son. That is all that is known about this woman with the fascinating name. That is all history has left us.

 And so I am left to speculate about the things she thought of a journey to a bleak shore where nothing waited but starvation and wattle and daub hovels. Or what she thought of her husband. Of how she played blind to his thefts because it was unthinkable to confront. Of how young she was and how little she could say to a husband who was not only a Man, but an Adult in a time when women were flighty, sinful and childish; regardless of age.

I will never be a pilgrim. That much is certain now. I met my husband that summer and left the completed application folded in a drawer in my bedroom. I have never marched down the dirt path, a cloud of dust at my feet, carrying a basket and wearing six skirts in the humid Massachusetts summer. I have never sat and sewn under a tree while trading riddles with the other women in the circle. I have never been Fear Brewster.  

And here is the thing: I don’t even have pilgrim ancestry to claim, only the militant and unimaginative puritans who came after them decades later. Maybe. On my mother’s side. On my father’s side, the John Elderkin who came over before the pilgrims was probably one of those deadbeat Jamestown fellows, or worse. Why I have claimed the pilgrims as my ancestry, I cannot fathom. They don’t belong to me and I know that. But in the same breath that I deny their link, I also feel it.

Sometimes when it is raining outside, I sit by the window and ponder how frightening it must have been when the central beam cracked during a storm on the Mayflower. Some nights when I am lying awake next to my sleeping husband, I wonder if Fear ever looked over at Isaac, at his buttoned up eyes and the stubble on his chin, and thought about how handsome he was.

In the age of social media, I follow Plimoth Plantation everywhere they have accounts. It is beautiful and heartbreaking to see those photos of the past come to life in a little town just south of Boston; heartbreaking because it has been more than ten years since I walked those streets and I always want. But sometimes the things we dream about don’t come true. I know that Fear and I have that in common, too. In my case, I think giving up that dream was worth the reality I was granted instead. I hope that Fear felt the same.

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